Javea, Spain

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Map of the Marina Alta,click on map for full size version

 

Our favourite restaurants places to visit in Javea Denia Marina Alta and other parts of Spain can be found on this page clicking on the boxes on the right

 

Property for sale in Javea - Private Villa Property for sale in Javea Tosalet from owner, no estate agents.

 

TUK TUK TOURS -  LOCAL INFORMATION JAVEA COSTA BLANCA SPAIN

Promt Translator
 

  SPAIN LINKS AND DIRECTORY LINKS AND LOCAL INFO IN THE MARINA ALTA COSTA BLANCA, DIRECTORY AND LINKS IN JAVEA DENIA AREA INCLUDING RESTAURANTS LOCAL HISTORY SPAIN HISTORY CIVIL WAR BOOKS WILDLIFE LOCAL INFORMATION COSTA BLANCA HOTELS RESTAURANTS ARTISTS

Views written here are purely personal. Wouldn't life be boring if everybody had the same taste!!

If you have something to add , don't agree or find wrong information, please e-mail your comments

DISCLAIMER Links to other websites from these pages are for information only and we accept no responsibility or liability for access to or the material on any website which is linked from or to this website. By providing links to other websites we do not guarantee, approve or endorse the information or products available at these websites, nor does a link indicate any association with or endorsement by the linked site to ourselves.

Click on Links below

Spain General

Our Local Area

Nature/Environment

History

Recommendations of other places to see in Spain, hotels and restaurants.

Albarracin, Avila, Barcelona, Burgos, Cardona, Cordoba,Figueres, Girona, Granada, Hervas, Salamanca, St Martin de La Solana, Segovia, Segura de La Sierra, Seville, Toledo, Ubeda, Velez Blanca.Teruel, Tramacastilla

France

La Romieu..Le Cardinal

England

The Barn Loft, South Wraxall, Bath

Flamenco - listen to free tracks

Food & Wine

Ham, Cheese, Wine. Tapas, Mushrooms, Paella, Olive Oil, Sausages.

Books

Authors:  Antony Beevor, Gerald Brenan, Javier Cercas, Rafael Sanchez Ferlosio, Peter Kerr, Derek Lambert, Laurie Lee, James Michener, George Orwell, Paul Preston, Charlene Quince, Chris Stewart, CJ Sansom, Giles Tremlett, Jason Webster, Carlos Ruiz Zafon.David Baird

 

Pictures, Photos

Javea, Denia, Valencia, Pedreguer, Beniarres, Moors and Christians, Fallas, Wild Flowers, Iris Garden,Altea, Insects and more all over Marina Alta.

Weather

Marina Alta Walks

Walking routes - Marina Alta

Webcams

CV News  provides interesting information about the Region of Valencia, with news, links of interest, and articles on Valencian locations

PC SOLUTIONS Computer repairs etc Javea

Javea Artist - Studio Yona

October 12th 2007 - Storm in the Costa Blanca - links to pictures and video of the huge storm that effected our area.

Boat and fishing trips, Javea, Denia Sea Fishing Costa Blanca

Restaurants - Restaurantes  Javea Denia Marina Alta Restaurants Valencia restaurants, click here for info on restaurants listed below

La Font D'Alcala, El Venta Collao, L'Escala,Verdi Vent, Restaurante Pedramala, El Jamonal de Ramonet, Cafe Solo, Can Broch, Restaurante Venta de Posa, Restaurante Al Gusto, La Sidreria, Restaurante No 11 Bar Restaurant, Republic Denia, Restaurante BB (Chicken Shack), El Corral del Pato, Caramull Restaurant, Champagne Bar, Jalousie, Tapindo, Restaurante Fuentes, Tasca Tonis, Tasca La Rebotica, Restaurante Calima, La Mezquida, Gurkha Palace, Restaurante El Portet, Restaurante Coracao do Brasil, Restaurante Bajul, Brujeria, Casa Pinet, La Polenta, Restaurante Montalban, Meson el Rebeco, Samaruch Restaurante, Taverna Cavallers, Oliva.La Sequiota, El Palmar.Vall de Cavall. Aleon Bar. Bernia, Xativa Los Manueles La Piscina

Valencia  Calatrava

Pedreguer

Local Links and Services

Pergolas, Rugby, Oven Valeting, Computers, Locksmith, Boat Trips Fishing Trips, Removal Service, Builders, Casa Rural, Picture Framing, Car Parking Valencia Airport

Natural parks, Valencian Community in Spanish

Environment, geography, climate, wildlife, of Spain

Poisonous Caterpillars

Marina Alta Walks

CV News  provides interesting information about the Region of Valencia, with news, links of interest, and articles on Valencian locations

Wild Spain

Weather information in Pedreguer

History - Local

Benidoleig (cave), Calpe , Costa Blanca( Snow Wells, Neveras), Denia, Gandia, Gata de Gorgos, Javea (Joaquin Sorolla y Bastida, Museo Blasco, Sylvia Matheson, Billy Cook - Memories of Javea, Old Photos), Marina Alta (Montgo, Bernia, Windmills, Molins, Leprosy), Moraira Teulada, Oliva, Orba, Val D'Ebo, Valencia - Muslim Heriage. Castles in Communidad Valenciana Time Team programme on Muslim denia

Fallas

Old Photos - Gata de Gorgos

Tarbena and Casa Pinet

Marina Alta Walks

CV News  provides interesting information about the Region of Valencia, with news, links of interest, and articles on Valencian locations

Interview with  a Fallera in Oliva

Spanish Civil War

Photojournalism, Posters, Women in the Civil War, Guernica, Drawings done by children, Major campaigns and offensives, British International Brigaders, Civil War movie clips and lots more. Post war children brainwashed. Radio 4 audio clip. Mauthausen Concentration Camp, Spanish Earth. Granada TV series Spanish Civil War YouTube Evacuees to Costa Blanca

History - Spain

Iberian Resources on Line, The Story of the Arabs In Al-Andalus, Queen Isabela, Summaries, Joans Mad Monarchs and more.

There are many links to other sites and full size photos on this page - click on underlined writing and thumbnails

LOCAL AND OTHER LINKS AND SERVICES

L'OMBRA : Pergolas Excellent quality, good prices in Denia, Ondara, Pedreguer, Gata area; phone Miguel on:            965757597  or 669353397

Oven Valeting Service, Gandia , Costa Blanca:

 Tel: 0034 962 808258

COMPUTERS JAVEA PC SOLUTIONS
Great Service...fast...efficient....helpful. All your computer problems solved
Tel: 902995116 Mobile: 676662733
www.spanishcomputers.com
On the Cabo de Nao Rd on the right hand side past Barclays Bank
JAVEA COMPUTERS

Denia Rugby Club:  Come and support your local Rugby Club, looking for players of all ages too!!

Locksmith Javea Costa Blanca - excellent service, excellent prices Tel: 0034 902 887 276

Boat trips and fishing trips, Javea Denia, Costa Blanca.

Tel 0034 629 351 266

Fastrack  Removals Spain  Costa Blanca Javea Denia  Removal Service that will take all the stress out of moving home Weekly deliveries Spain France  UK

Tel: 0034 629351266 email contact

D & A  Builders for all your building requirements  Javea Denia Costa Blanca Builders

 965730688 or 647591959       e-mail

 

Casa Rural  La Font D'Alcala  - Alcala de la Jovada - La Vall d'Alcala

Tel: 965514187

Picture framing Service Javea,  GALERIA MIRTO

Alongside the Post Office in Javea Old Town

Mestre Angel Palencia 8
Very  efficient and excellent work. Tel: 96 579 24 25

 

SUVO PARKING

Car Parking ...Valencia Airport. Cars parked on secure parking premises. Complimentary Car wash. Car waiting at airport on return. Call Sue or Von 

650518719/ 646862695  or email

History - Local - Marina Alta, Costa Blanca, Javea, Denia

History Denia History Gata de Gorgos history Javea history Xativa history Costa Blanca snow wells neverras history oliva history orba history las fallas history xativa history xativa castle history locksmith javea costa blanca  house villa for sale moraira denia rugby club cueva de benidoleig  history calpe history marina alta leprosy pedreguer history moraira history teulada denia rugby club tuk tuk tours javea

Benidoleig

Cueva de Benidoleig - On the road beteween Pedreguer and Benidoleig. Cuevas De Las Calaveras

Calpe

 

History of Calpe - by Andrés Ortolá Tomás

This is a great site (Spanish) with hundreds of old photos of Calpe. For those of you who can read Spanish it is a mine of useful information on the History of Calpe. It gives a very good picture of what life was like in the past in the Marina Alta

Las pesquerias de toix:  A very rough translation of Andres Ortola Thomas's work on the cliff fishermen on the Costa Blanca

Costa Blanca

 

 

 

Snow Wells,"Neveras" Snow wells found all over the area

Denia

 

 

History of Denia - Potted version from Denia's Tourist site

Muslim Denia - Channel 4 Time Team 2000

To see the full video click here only if you are in UK or if you can hide your ISP provider

Denia History - Description of a visit to Denia c1926, from a book "The Spanish Ports"

Gandia

 

 

Borgia Palace - A must visit for anybody coming to the area. Palau Ducal dels Borja - home to the notorious Borgia family

Gata de Gorgos

 

First train arriving in Gata - circa 1914

 

 

 

A visit in 1936 - Letters written at the beginning of the Civil War,- en espanol pictures of Gata, Pedreguer, Carmen Lagos and Emilio Signes   

 

 

 

Old photos of Gata de Gorgos - Unfortunately (from an historian's point of view), a lot of these photos are not dated - perhaps you can help me date them

Javea

Walking on History - Sylvia Matheson Talk given in 1996

Memories of Javea - Billy Cook. Javea Memories, 1970's and 80's

Joaquín Sorolla y Bastida - Artist painting in the Javea area, late 19th and early 20th century. “It is madness, it is a dream, it is like living on the sea on board a large ship, you were wrong not to come here“. This is how the artist described Jávea in a letter to his wife in 1896

Javea History - Prehistory to present day

Photographs of Javea from around 1920

Museo Soler Blasco  Some interesting articles on history here in Valenciano, great pics too if you don't understand

Marina Alta

 

Sunrise over Montgo

Leprosy in the Marina Alta - Report made by Dr George Thin in 1892  Fontilles (spanish)

Bernia Castle:  History from Marina Alta Walks( when you get to site, click on historical interest).

Montgo: History from Marina Alta Walks( when you get to site, click on historical interest). 

La Cova Ampla, Montgo: as above

Caball Vert – (Valenciano for Green Horse - Caballo Verde in Castillian), Val de Laguart: as above

Marina Alta Walks

Windmills Marina Alta, Windmills Javea, Molins

Walking routes in the Marina Alta - great site with photos and well described walking routes

Tarbena Click here to read an article by Malcolm Smith, written in the Costa Blanca News in March 2007, about Tarbena  with particular reference to its history and Geronimo Pinet (the proprietor of Casa Pinet).

Moraira Teulada

 

 

Historical  Information on the buildings in Moraira and Teulada

Oliva

 

 

 

 

 

History of Oliva - Interesting historical information on this small rather beautiful town

 

 

Whatever Lights your Falla - Loud drums, even louder fireworks, parades, music and setting fire to things. From the outside, this is how many of us view the uniquely-Valencia Fallas fiesta which comes to a noisy culmination on March 19 every year. Yet, have you often wondered what it is all about and had nobody to ask? Have you ever been tempted to stop a fallera in the street, mid-procession, and bombard her with questions? ThinkSPAIN/today reporter Samantha Kett did precisely that. Noelia Llidó Llopis, 25, has been picked as fallera del foc this year for her individual falla, in Oliva’s Parc de l’Estació, and was happy to shed a bit of light on the apparent madness for us uninformed expatriates.

Orba

 

 

 

 

History of Orba - A short detailed summary

Val D'Ebo

Interesting photos, history, flora and general information on this area can be found by clicking on the picture. Site written in Valenciano

  

Valencia

 

Valencia City Travel Guide - a comprehensive online guide to sights, tourist attractions, accommodation, travel, nightlife, culture, restaurants and shopping

Hello Valencia

To take a walk through the streets of Valencia is to walk along through centuries of history. To walk through the halls of an open museum where, with each footstep, a building, a monument, a plaza, provides us with testimony of past and future époques. With the intention of showing you the symbolic corners of the city, the Valencia City Hall web invites you to stroll through a series of itineraries that will make it possible for you to come to know the history and the heritage of a city in which the oldest of monuments live wisely together with the recent and avant-garde architecture.

Las Fallas - History of Las Fallas

Valencia Terra i Mar - Short history of the whole Valencia region - great website for other information on our area

Santiago Calatrava - A succession of stunning buildings is redefining Valencia – and one of the city's favourite sons is masterminding the transformation, the architect Santiago Calatrava..This is an interesting article from the "Independent",of 5/7/08

For more pictures of this area of Valencia, click here

 

Valencia's Muslim Heritage - Interesting article on what Valencia and the area inherited from the Moors

Xativa

 

 

 

The Castle and the old town of Xativa are well worth visiting...try and approach the town from the South for the amazing views of the castle perched on the hill side. Castillosnet.......Spanish website but lots of info and pictures of Xativa and links to most of the other castles in our area

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Spain - History

History - Spain

Brilliant site with huge number of links

 

Spanish History

History of Spain(simplified up to 711BC (to be continued)

 

 

Spain's Alien Nation

Rodrigo De Zayas

 

 

SIR Richard Fox Vassal, the second Lord Holland (1773-1840), was a rich, intelligent aristocrat; in 1802 his doctor advised him to spend some time in a dry climate for his health. He decided to visit Madrid, where he learned Spanish and collected manuscripts for the library of Holland House, the family mansion in London, and in 1804 he bought a bundle of manuscripts from Don Isidoro de Olmo. He failed to recognise the significance of what he took back to London and simply listed the contents of the bundle: papers, memoirs and correspondence from 1542-1610, relating to the history of the moriscos in Spain.

 

 

LIBRO

 

 

Great site Iberian Resources on Line - whole range of information  on Spanish History

Swift Dawn, Long Sunset

Great Mosque, Cordoba

 

 

The Story of the Arabs In Al-Andalus - by Adnan F. Anabtawi 

Queen Isabela

 

 

Saint or not? Interesting article by Robert Latona

Joan's Mad Monarchs

 

Great site here...Joan's Mad Monarchs...biographies of:

Juana the Mad of Castile (1479-1555)   the Queen who caressed her husband's remains. 

Don Carlos of Spain (1545-1568)   the Crown Prince who liked to beat up girls. 

Carlos II "The Bewitched" of Spain (1661-1700)   the degenerated monstrosity on the throne. 

Philip V "El Rey Animoso" of Spain (1683-1746)   the King torn between desire and guilt. 

Ferdinand VI of Spain (1713-1759)   the King who brought peace to his people but not to his mind.

Click on picture to read biographies

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Spanish Civil War

 

 

 

 

"The Spanish  Civil War is best remembered in entirely human terms: the clash of beliefs, the ferocity, the generosity and selfishness, the hypocrisy of diplomats and ministers, the betrayal of ideals and political manoeuvres and, above all, the bravery and self sacrifice of those who fought on both sides"

 Antony Beevor..."The Battle for Spain"

The Civil War

 

Outline with links

Shots of War

 

Photojournalism during the Civil War

The Visual Front

 

Posters from the Civil War

Posters

 

More Posters

Mujeres Libres

 

Women in the Civil War

Interesting video link to Youtube Click here

Guernica

 

The bombing of Guernica

Testimony of War

 

Picasso and Guernica

Children's Drawings

 

Drawings done by children during the Civil War

Major Campaigns

 

Major campaigns and offensives

Carmen Arrojo

 

Civil War victim

The Civil War

 

Photo Essay

Looking back

 

Looking back on the Spanish Civil War - George Orwell

Photo History

 

The whole of the Civil War in pictures with commentary

The Civil War in Valencia

 

Photographs sent in by readers of the Comunidad Valenciana  Newspaper 'Levante', commentary in Spanish

A visit in 1936

 

Letters written at the beginning of the Civil War,- en espanol pictures of Gata, Pedreguer, Carmen Lagos and Emilio Signes

Dreams & Nightmares

Site put together by the Imperial War Museum -The experiences of British International Brigaders in sound. Below is a transcription of one of the texts:

We went into what looked like a warehouse or garage of some kind and all the way around the room were cases with rifles and in the middle of the room was a big pile of cartridges, some in clips, some loose. These boxes were all open and each man had to go round and take one of these rifles out. These were very old rifles. On the stock was a brass plate which said 1866, 1876, something like that. They were single loaders, but some of them were a bit later and they had a small magazine you could fit in, but most of them were single loaders. All the cartridges that were all on the floor in the middle were all different calibres, some were rimmed, some were rimless. You just had to sort of take pockets full of these and hope for the best.

Albert Weisbord

 

This is the internet archive of Albert Weisbord, Leading Communist Radical of the 1930's. Essays on the Civil War

British Survivors

In November 2000 the Guardian newspaper published a supplement on the last British survivors of the International Brigades who fought in the Spanish Civil War. This material is now available on the Internet and the website includes interviews with Sam Russell, Lou Kenton, Joe Garber, Bob Peters, Jack Jones, Alfred Sherman, Penny Feiwel, Benny Goldman, Dave Goodman, David Marshall, Sol Frankel, Bob Doyle, Tom Clarke, Jack Straw, George Wheeler, Frank Graham, Frank Mills, Alun Williams and Steve Fullerton.

Video Clips

 

Civil War movie clips

Land And Freedom

 

Full Copy of the Ken Loach movie available to view on your computer

Summary of Civil War

 

Written by: Russell Short...Russell Short is a travel consultant with Exploring Ireland, the leading specialists in customised, private escorted tours, escorted coach tours and independent self drive tours of Ireland.

Aftermath of Civil War

 

During General Franco's reign, tens of thousands of Spanish children were taken from their families, handed over to fascist sympathisers and brainwashed. Now growing old, they are fighting to discover the truth about their past before it is lost for ever. Written by Christine Toomey in the Sunday Times Culture International magazine on 1/03/09

Audio clip on Civil War

 

In Our Time. Radio 4 discussion with Paul Preston, Helen Graham & Mary Vincent

Concentration Camps

Mauthausen

After the Civil War, many Republicans were interned in Nazi Concentration Camps after the Civil War. A lot of these were at Mauthausen...Link to "Spanish prisoners at Mauthausen"


Spanish Earth


Spanish Earth is a propaganda movie for the Republicans, narrated by Ernest Hemmingway and made in 1937. If anyone wants a copy please e-mail and it's yours for the cost of postage and DVDR...in total around €2

"The Spanish Civil War"


This is a 2 DVD documentary ...six hour long sessions made by Granada TV in 1983..again if anyone wants a copy e-mail me and it's yours for the cost of postage and 2 DVDRs...approx €3
Spanish Civil War on

 YouTube
There are loads of video clips on all aspects of the Spanish Civil War on YouTube......click here
Children evacuated from Madrid to Javea, Denia and this area
Another YouTube video clip made by the ayuntamiento in Javea. Only useful if you understand Valenciano...click here

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spanish civil war guernica childrens drawings carmen arrojo soibelman syndicate history spain history

Restaurants Javea Denia Marina Alta

   These restaurants are those which we enjoy. We don't go out to eat the typical Sunday Roast or sausage, egg and chips!! We advise you to make reservations, particularly at weekends. Click on those underlined to link to their websites

 

Alcala de La Jovada

 

 

                            

La Font D'Alcala, Plaza Vilaplana, 12, Alcala de La Jovada. Tel: 96 5514187  42 k drive from Denia, Alcala de Jovada can be approached up the Val de Gallinera ( great towards the end of March to see the cherry blossom), or up the Val D'Ebo. La Font D'Alcala is worth driving to for the  fantastic traditional food of the locality. Comfortable restaurant and also a barbecue terrace for the summer months ; service is excellent and the food a delight. La Font D'Alcala , a Casa Rural, has very comfortable rooms, and special deals to be had for dinner bed and breakfast, so if you fancy a peaceful night away from the coast in idyllic surroundings, give them a call. Click on thumbnails for larger views. For history and walking around Alcala de La Jovada, click here.

Benimaurell

 

 

El Venta Collao, Through Benimaurell to the top of the hill. Tel:696012352. Stunning drive, up the Vall de Laguar, good food, great views

Benitachell

 

 

L'Escala Restaurant, Get directions when you book. On the road between Javea and Benitachell Tel: 96 649 32 50. Fantastic Argentine food. If you're lucky you may hear the proprietor sing

Bernia

 

 

Verdi Vent, Crta Jalon-Bernia Km 5. Tel: 96 597 34 13. .Lunchtimes only. Closed Tuesdays. Lunch in the mountains. Fabulous four course set meal with wine. Favourite with ex-pats.

 

Restaurant Sierra Bernia. Tel: 676871866, 609129729 Go past the Verdi Vent right up to the top of the hill and keep going until the road ends. On the left set in a clump of pine trees is a small Spanish restaurant...rabbit and chips to die for, give it a try...small restaurant so book by phone. Alternatively go up from Benissa, right to the top of the Bernia, and turn left rather than right towards Jalon

 

Coll De Rates

 

 

Restaurante Pedramala. Situated at the top of Coll de Rates, between Parcent and Tarbena. Tel: 671216676. Worth the drive for great food and stunning views

Denia

El Jamonal de Ramonet

El Jamonal de Ramonet, Passeig del Saladar, Tel: 96 578 57 86. Fantastic range of Tapas

Cafe Solo, Ctra Las Marinas(about 2k out of Denia). Tel 96 643 06 86. Amazing breakfast, English or Continental

Can Broch, Placa Drassanes,4. Tel: 96 642 17 84. Pricey but excellent, particular favourites are their desserts

Restaurante Venta de Posa, Ptda La Freda 9, La Xara, Denia. Tel:96 578 46 72 Great, lively Spanish Restaurant

Restaurante Al Gusto,  C/ Colon 46, Denia. Tel:966427830. International Cuisine - excellent, great value menu del dia, great service. Good evening menu

La Sidreria, Pasaje Peatonal Paris, B-1. Tel: 96 642 07 81. Speciality is Asturian food and cider - free tapas with a drink - unusual for this part of Spain

Restaurante No 11 Bar Restaurant, Marques de Campo 11. Tel: 966430494. Very good menu del dia and a la carte in the middle of Denia.

Republic Denia, Marina de Denia Tel 966430123. Lovely position on the New Marina..good food, not cheap, but worth a visit

Aleon Bar, Ctra.Las Marinas Km3(Complejo Poblet), Denia. Tel: 965781515. This English run bar is between Denia and Las Marinas...great food, great atmosphere and Sky Sports

El Palmar

L'Albufera

 

La Sequiota, C/Vicente Baldovi 9, El Palmar. Tel: 96 162 03 16. Worth visiting L'Albufera, the wetlands just South of Valencia. This restaurant in El Palmar is one of many, but we had a terrific Paella here.

 

 

El Verger Vergel

Restaurante BB

 

Restaurante BB, Pda. Camaes, Km.74 - C.P. 03770 - VERGER, EL. Tel 965750575. Used to be the Chicken Shack..great chicken here, very inexpensive

 

Gata de Gorgos

Restaurante Val de Cavall

El Corral del Pato, Ctra,Gata-Jalon,Km1. Tel:96 575 68 34. Excellent, Valencian food a speciality

Vall de Cavall, Ctra Nacional 332 Pda Benisaina,3, Gata de Gorgos. Tel: 96 505 84 75. On the road between Gata and Teulada, just past the big pottery shop out side Gata, turn off to the left. Beautiful setting, pool and really good food, including a set menu on Sundays at 14€. Advisable to phone for a booking at the weekend

                                                                                                 

 

Jalon

Xalo

 

Caramull Restaurante  Ptda. Cutes, 17, Jalon. Tel 966 481 309. You can find this restaurant on the Benissa road going out of Jalon, about 400 metres along on the left. In our opinion, Caramull Restaurant has the best menu del dia in this area....very Spanish restaurant...different menu and excellent food, ambiance and service for 12€..we were the only extranjeros in the restaurant. Visited on the day of the storms in October 2007 so pictures to follow after our next visit. Looks like an excellent menu for the evenings too

Javea Arenal

Champagne Bar

 

 

Champagne Bar, Jalousie Playa Arenal, Tel: 96 579 22 00. Try the fillet steak and gambas in garlic. Lively, popular bar.

Tapindo, Av del Pta, see Website for location. Open 7 days a week, Mon-Sat 11am-10pm, Sun 12pm-8pm. Great Indonesian Take Away...fabulous flavours

 

Javea Old Town

La Rebotica

 

Restaurante Fuentes, C/Cronista Figueres Pacheco, 2 (Behind Bookworld Espana), Tel: 96 579 27 03. Very good Spanish food

Tasca Tonis, Calle Mayor,2. Tel:96 646 18 51. Very good Spanish Food

Tasca La Rebotica, C.St Bertomeu 6(opp church). Tel: 96 646 13 18 Excellent tapas great atmosphere

Javea Port

Restaurante Calima

 

 

Restaurant Calima, C/ Marina Espanola 14. Tel: 96 579 48 21 Enjoy lunch or dinner overlooking the sea, excellent Spanish food

La Mezquida,C/ Cabo la Nao, Javea  (on right on road from old town to Arenal just past Liddells) Tel: 96 579 36 20  Spanish restaurant, great paella.

Gurkha Palace, Avda. Rey Jaume1, no8. Tel: 965793331 Indian & Nepali restaurant, good food and service; also takeaway service.

Restaurante El Portet, C/. Cristo del Mar, 8. Tel 96 646 15 22 Excellent Menu del Dia

Piri Piri Restaurant,  Paseo Marina Espanola 15, Puerto de Javea. Tel: 96 579 47 45. Excellent Tapas, Menu del dia, overlooking the sea. International a la carte menu

 

Moraira Calpe

 

 

Restaurante Coracao do Brasil,  Calle Ravenissa 5( see website for directions) Tel: 96 574 91 60 Good fun restaurant, not for Veggies!!

Restaurante Bajul, Avenida De La Paz 27, Moraira. Tel 965743381. Wonderful Indonesian Cuisine, great service too..closed Saturdays

Oliva

 

 

 

Restaurante La Pampa, Ctra Nac.332, Km.211, 46780 Oliva, Tel: 962852749...About 5km the Javea side of Oliva on the left hand side of the N332 if travelling towards Oliva.....pass all the Putas!! Fantastic Menu del Dia at 6.50€ (March 09). Food superb, meat especially and great service...looks like a great place for evenings too, not expensive, dancing on Saturdays.

Parcent


La Piscina, On the road to Col de Rates on the right hand side just outside Parcent. Tel: 96 640 51 26. Great menu del dia, excellent service and good atmosphere. Open 12- 6 only. Buffet starter..excellent salads etc...good choice of mains...€15 including drinks



Pamis, Ondara

 

 

 

Brujeria, C/ Poeta Garcia Lorca,18. Tel: 96 576 73 53.  Excellent Indian Thali

Tarbena

 

 

Casa Pinet, Placa Major. Tel:96 588 42 29. A must if only to see the memorabilia, good inexpensive Menu del Dia

Click here to read an article by Malcolm Smith, written in the Costa Blanca News in March 2007, about Tarbena  with particular reference to its history and Geronimo Pinet (the proprietor of Casa Pinet).

 

Teulada

 

 

La Polenta, Avda. Mediterraneo,35. Tel: 96 574 01 07. Great  Italian food

Valencia

Restaurante Montalban

 

 

Restaurante Montalban, C/ Caballeros,10( behind the cathedral). Tel: 96 392 44 95. Inexpensive good Menu del Dia..still great value in May 2009.

 Meson el Rebeco, C/ Hist.Claudio sanchez Albornoz, 7. Tel 96 369 38 66. Found this Argentine restaurant on recommendation from taxi driver. Fantastic food, not expensive....not in normal restaurant areas, but well worth a visit...Their Buey is amazing

Samaruch Restaurant,  Paseo Neptune 58, Playa de Las Arenas, 46011 Valencia. Tel. 963556648. Eat on the beach in Valencia, great paella and friendly, good service. The restaurant is on the beach just past the port going North.... well worth finding.

 

Taverna Cavallers,  C/Caballeros, 23. Tel 963 91 25 16.  Best Tapas we've found in Valencia...have some cheese to die for...Queso Romero.

XATIVA


Restaurante Los Manueles,  Avda. Selgas, 20, 46800Xativa. Tel : 615 184 010.  Very good Menu Del Dia at a very good price (€7 in Oct 2009) to include drinks.

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restaurants benimaurell restaurantenitachell restaurants Bernia restaurants Denia restaurants Gata de Gorgos restaurants Javea restaurants Pamis restaurants Tarbena restaurants Teulada restaurants Valencia restaurants el venta collao l'escala verdi vent el jamonal del ramonet cafe solo can broch el corral del pato casa botero champagne bar pizzeria pepa tasca tonis piri piri brujeria casa pinet la polenta restaurante montalban restaurant calima javea portestaurants restaurante calima restaurant avenida teulada bar cafeteria margon lapolenta teulada bar restaurante avenida coracao de brasil restaurante fuentes la rebotica javea monsoon cafe el venta collao benimurell pedramala 11 Teulada La Mezquida Javea restaurantes javea gurkha palace restaurante restaurant javea restaurants denia restaurante al gusto  denia restaurante No 11 Bar restaurant denia l'escala restaurant benitachell  piri piri restaurante javea restaurant piri piri  tasca la sella restaurante restaurant pedreguer restaurants caramull restaurant jalon restaurant caramull

These are places we have visited in Spain, outside our region, with some recommendations of hotels, restaurants, and places to see

Albarracin

Only three and a half hours drive north from Javea/Denia, about 30k west from Teruel, classified by UNESCO as an artistic monument of world interest. Amazingly beautiful medieval town, hidden within the walls. The pink colour of the houses stands out against the landscape. They were built with pink plaster that contains tiny flecks of iron, which rust when it rains giving the walls their unique colour. The tiny narrow streets are a joy to explore - lovely place to spend a weekend. We stayed at the Hotel Albarracin, located right in the middle of the old town , ate well there and were very comfortable. Loads of restaurants in the town to chose from if you are there for more than one night. One of the prettiest towns we have visited in Spain.

Click on picture for more views of Albarracin

Visited 2006

Avila

We didn't stop in Avila, just got this wonderful view as you approach it between Salamanca and Segovia. We've heard it's a really pretty town inside the walls. Pretty impressive from the outside though

2008 Click on picture to see full size

Barcelona

 

Barcelona is a must visit for anyone. Beautiful city, very crowded with tourists though. Recommend a two day pass on the open top bus, cost 26€ per person in 2008. Never found a really satisfactory place to stay. Best bet is looking like an apartment if you can find a good one. Last visit found two really good places to eat... Los Caracoles, C/.Escudellers 14, just off the Ramblas near the bottom. Expensive and you really need to book, but worth the experience. Secondly try Nou Mino Restaurante, C/ Del Carme 19, Tel 933011005. A small Argentine Restaurant  just off the Ramblas on the right hand side coming down from Pza Cataluna...excellent food and not expensive.

Try the Panther Trike in Barcelona...This looks like an interesting and different way of seeing the city Tel; 933006418 or 619668881 or e-mail

We haven't tried this but it was recommended

For more pictures of Barcelona click here

2008

Burgos

 

 

 

We visited Burgos for a night on the way up into France...were very pleasantly surprised by this lovely old city. Can thoroughly recommend the Hotel Cordon, Calle La Puebla 6, Tel 947265000. Comfortable, and great position for the old city. Just enjoy the old streets...don't forget to see the magnificent statue of El Cid, and don't miss the cathedral. We ate in the restaurante El 24 de Paloma,C/de la Paloma 24, Tel 947208608....food was really good, though I think there are better places to get suckling lamb...unless all suckling lamb is a bit tasteless. Wish we had stuck to the Tapas bars...they really are tremendous.

                                                                                              

Click here for more pictures of Burgos

2008

Cardona

 

Very Spanish medieval village with a salt mine!! Partly restored, wonderful atmosphere, the town I mean. Try and stay on a Saturday night - excellent market on Sunday morning. We stayed in the Bremon Hotel which is right in the middle of the old town. Excellent hotel and we had one of the best meals, in the restaurant, that we have ever had in Spain. Lovely old castle overlooking the town, which unfortunately has been turned into a Parador.

Click on Picture for more views of Cardona

 

 

2006

Cordoba

 

Cordoba is also a very beautiful city, particularly the Juderia, the old Jewish quarter of the city where we stayed in the Hotel Lola - a charming small hotel about three minutes walk from the Mezquita, the former mosque with a Christian cathedral built in the middle of it - quite bizarre. The hotel will find you somewhere to park, the service, rooms and breakfast were faultless. We were amazed by the Mezquita but found the cathedral very gaudy in comparison. We ate in the hotel's restaurant which is next door, Casa Pepe de la Juderia - excellent dinner, including acorn ice cream - that was a first!!

Click on picture for views of Cordoba

See also "The story of the Arabs in Al Andalus"

2006

Figueres

 

 

If you are ever up in Catalonia, near Barcelona or Gerona and you are interested in Art, make sure you go to Figueres and visit the Salvador Dali Museum...it's incredible!!  Get there early to avoid the queues!! Visit their website click here

 

2007

Gerona / Girona

 

 

 

Gerona / Girona is a lovely city to visit....a lovely old town, river running through the middle, loads of history and lots of great places to eat including:

La Penyora Restaurant,  c/ Nou del Teatre, 3  Tel 972 21 89 48

 

2007

Granada

 

A must place for anyone to visit. The Alhambra is absolutely stunning, even in temperatures of 40 degrees! Leave yourself  most of a day to go and see it. Wise to book in advance - tickets can be obtained from branches of BBVA Bank. We stayed in the Albaicin, the old Arabic quarter of the town ,down by the river in a lovely hotel, Hotel Zaguan del Darro, with a view of the Alhambra on top of the hill. Recommend that you take a walk to the Mirador at the top of the Albaicin, before it gets dark - fabulous views across the valley to the Alhambra and Granada. There are some really good restaurants near the Mirador, Las Tomasas we really liked, overlooking the Alhambra where you can eat, watch the sun go down and then see the Alhambra lit up - just amazing!!

Click on picture for more views of Granada

2006

Hervas Granadilla Caceres

 

 

 

We wanted a break between cities and found this place between Toledo and Salamanca ..El Manantial del Fresno...we rented a very comfortable bungalow for three nights here..friendly people, very quiet and peaceful, Hervas was a lovely little town with an old Jewish quarter....suggest a visit to the deserted village at Granadilla...beautiful drives all around...particularly try and see Candelario...got to be one of the prettiest places in Spain.

 

Click here for more pictures of Granadilla

2008

Salamanca

 

 

 

 

 

 

 

 

We loved Salamanca...so much to see and do. We stayed in the Tryp Salamanca, C/Alava 8, Tel 923261111...parking, comfortable and 60€ a night...three minutes walk from Plaza Mayor. Found a wonderful restaurant too...though dont have the suckling pig...just gorge on their Solomillo de  Buey...fantastic ox steak....Casa Paca, Pl del Peso 10, Tel 923218993. The Plaza Mayor is out of this world as are all the buildings in Salamanca ....not so well known, and well worth a visit if you like Art Deco is Art Deco and Art Nouveau Museum Casa Lis....not just for the contents but a phenomenal building too.

                                                                                   

Click here for more pictures of Salamanca

Watery Monday...one of the more bizarre festivals in Salamanca:

The history of Lunes de Aguas is a rather curious story, to say the least. Back in the day, along with a prestigious university, Salamanca also had prostitutes who practiced with the university students, hoping to eventually make it to the royal courts. In the 16th century, King Felipe II, who was known as a very serious and devout Catholic, was disgusted with the  activities taking place in the prominent academic and religious hub of Spain and banned all the prostitutes from the city for the 40-day duration of Lent. On the Monday following Easter, the prostitutes were given the green light to cross back over the river and return to the city. The students began to arrange huge parties on the river's shore to welcome the prostitutes back to the city and even helped them cross back over the river on boats they decorated with flowers. The rest of the day was spent eating, drinking, and celebrating along the river- the part of the celebration that continues today.

Interesting link to "Independent On Line" Sound And Vision...video of Salamanca as well as other places in Northern Spain

 

2008

San Martin de la Solana

Casa de San Martin

 

Wonderful place to stay in the Pyrenees - idyllic position and one of the best hotels (see directions on their website) we have stayed in - everything absolutely perfect, ambience, service, room, and food. Surrounding countryside is beautiful. The hotel Casa de San Martin is five kilometres up a forest track and is a converted monastery. Fabulous walking country, try and visit the deserted village of Janovas ( Janovas was expropriated in 1951 to build a dam and flood the valley - the inhabitants were moved out in the early 60's. Today no dam has been built!) while you are there and also Ainsa

Click on Picture for more views of Casa de San Martin and Janovas.

 

2006 and 2007

Segovia

 

 

Another of Spain's stunning cities...The Aqueduct and the Alcazar are amazing to see as is the rest of the city...tiny streets wonderful mix of architecture. We stayed  in a hotel called La Casa Mudejar, Isabel La Catolica 8, Tel 921466250...very central, 30 metres from Plaza Mayor and very comfortable....valet parking also available. While in Segovia you must try the suckling pig....there are loads of restaurants with it on the menu, but suggest you try  Casa Duque, C/Cervantes 12, Tel 921462486...fantastic food, you wont be disappointed.

                                                                                                

Click here for more pictures of  Segovia

2008

Segura de la Sierra

 

 

We found the tiny village of  Segura de la Sierra on the way home from Cordoba. Idyllic position on a hilltop overlooked by a massive castle, off the N322 about 40k north of Ubeda. If you want peace and quiet, this is a very sleepy pueblo with stunning views, good walks and a communal pool for use in the summer. We stayed at La Mesa Segurena, beautiful apartment with two bedrooms, only 85€ for the night including breakfast (for four of us!). They have a terrace restaurant overlooking the valley with great food.

Click on picture for more views of Segura de la Sierra

 

A little further north on a trip in 2008 we found this stunning get away from it all hotel situated about 12k south of Riopar...wonderful place to stay if you want peace and quiet...Cueva Ahumada, Tel 967434205..see picture left

 

 

Whilst staying at Cueva Ahumada...take the opportunity to visit the falls on the left...this picture was taken in  August, they are supposed to be quite stunning in the winter months..Nacimiento del Rio Mundo

 

Click here for larger picture

 

2006 and 2008

Seville, Sevilla

 

 

Seville, Sevilla was our favourite city out of Granada, Cordoba and Seville. Would recommend staying in  the Barrio de Santa Cruz, the old Jewish quarter of the city. We stayed in the Santa Cruz Apartamentos, wouldn't recommend it, lovely position, but all a bit tired inside. There are lots of other hotels/apartments in the barrio. Huge selection of restaurants - we weren't there long enough to recommend anywhere particular, but we didn't have a bad meal anywhere.If you have the energy walk up La Giralda, fantastic views over the city, well worth the effort. Visit too the Real Alcazar,  - the moorish architecture and the gardens are amazing. We enjoyed some flamenco in the barrio, Los Gallos, not a place where you have to get up and make a fool of yourself! Apparently to hear the 'real' thing it's best to go to the barrio de Triana - next time! We are planning a return to Sevilla in the autumn, so we'll keep you posted.

Click on picture for views of Seville

2008

Teruel

 

 

 

This was a handy place to stop...around seven hours from South of France, and two and a half from Denia. Stayed in the Hotel Oriente. Small hotel, comfortable and inexpensive and an easy 10 minute stroll into the centre of the town. We were pleasantly surprised by Teruel...lots to see, very pretty little old town and good places to eat. We ate at Meson Ovalo, Paseo del Ovalo Tel: 978 618 235...lovely menu, great service and local recipes.

 

2009

Toledo

 

We were not very fond of Toledo as a city...perhaps we visited at the wrong time...too many tourists and really tat shops selling really tatty Toledo Steel. However, don't be put off by our thoughts and if you do visit, we can recommend the Hotel Abad, Tel 925283500 on the wall of the old city(the gate on the left was taken from our room's window)...small, not expensive and very comfortable with parking just up the road. We did find a wonderful place to eat... La Abadia Restaurant, Plaza de San Nicolas 3, Tel 925250746

 

For more pictures of Toledo click here

2008

Tramacastilla

 

 

A very small town about 15 minutes from the frontier with France. Between Huesca and the frontier. We have found this the prettiest pass across the Pyrenees, via the Col de Portalet(Valencia, Teruel, Zaragoza, Huesca, France...and motorway virtually all the way with no tolls after Valencia!!). Five and a half hours drive from Pedreguer, a very pretty little mountain town...fabulous scenery and views. We stayed in the Hotel Privilegio, expensive, but very comfortable if you want something special. We had an excellent dinner at Casa Patro... local cuisine, reasonably priced too

 

2009

Ubeda and Baeza

 

 

Both little towns are worth a visit, might seem a little tame if you have visited the main cities in Andalucia. We didn't stay in either town, just had a wander around. Lovely old historical buildings in both towns which are just off the N322 , Cordoba to Albacete road.

Click on picture for views of Ubeda and Baeza

 

2006

Velez Blanca

 

Great place to stop for lunch if you are driving from our region down to Andalucia. A little village high up in the hills in the Almeria province. It has a 16th century castle which was sold in 1904 to an American millionaire who proceeded to tear out the interior, ship it to the USA where it has since been reconstructed inside the Metropolitan Museum of Art in New York. Despite this, the exterior is well worth the visit and the village itself is wonderful with spectacular views, one or two tapas bars and two or three restaurants.

Click on picture for more views of Velez Blanca

2006

 

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La Romieu, France

Restaurant Le Cardinal

If you are ever in the South West of France in The Agen area...find this little village, and eat at Restaurant Le Cardinal...Tel 05 62 68 42 75. One of the best meals we have eaten in France...menu du jour around €20...well worth it for great service and good food in the surroundings of a very pretty village.

 

2009

Bath, England

The Barn Loft
South Wraxall

A luxury Bed & Breakfast in a great location. Beautiful accommodation offered to you in the heart of a small village. A generous studio loft with ensuite facilities and living area. Situated six miles from the beautiful City of Bath and 2 miles from Bradford on Avon. Tel Claire and Kevin Giles on +44 (0) 1225 309066 or see their website
www.thebarnloft.co.uk

Cardona Bremon Hotel San Martin de Solana Casa de San Martin Janovas Albarracin Hotel Albarracin Velez Blanca Ubeda Baeza Mesa Segurena apartments Segura de la Sierra Cordoba Hotel Lola Coroba Casa Pepe de la Juderia Seville Sevilla Los Gallos Flamenco Granada Hotel Zaguan del Darro Reastaurants Granada Las Tomasas Restaurante Granada The Barn Loft Bath

Books

These books are about Spain or set in Spain. Most should be available at  BOOKWORLD ESPANA, Avda Amanacer de Espana 13, Javea. Remember my taste in books may not be the same as yours!!

Tel: 96 646 22 53      Fax: 96 646 22 60  

Author

Title

David Baird





" Don't Miss The Fiesta"
....Interesting novel by this author....set in a small mountain village in Andalucia....Good read,and background to Spanish way of life in the early eighties is well documented.

Antony Beevor

 

 

 

"The Battle for Spain" ...........First published in 1982 as "The Spanish Civil War". Now updated using a host of new archive material - a very readable account of the Civil War which received an extremely favourable reception in Spain and became a No 1 bestseller here.

Gerald Brenan

  

 

 

 

"South from Granada"...............The author settled in Andalucia in the 1920's

"The Face of Spain" ................    The author returned to Spain in 1949 for the first time since the Civil War. He was determined to see what had     become of the country he loved, to speak to ordinary people and to experience life in small towns unvisited by foreigners.

Javier Cercas

 

 

 

"Soldiers of Salamis" ................Outstanding novel set during the Civil War

Rafael Sanchez Ferlosio

 

 

"The River"..........One of the most important and successful Spanish Novels of the last fifty years - during the Civil War, the river Jarama was the scene of a bloody, month long battle. In this novel, set twenty years later the Jarama is a favourite picnic spot to escape the Madrid heat.. The novel describes one hot day in August when various groups of people from Madrid, young and old, go down to the river and picnic

Peter Kerr

 

 

 

"Snowball Oranges" ..................New life in Majorca, the author has written three follow up books

Derek Lambert

 

 

 

"Spanish Lessons" .....................Lambert's story of setting up a new life in La Xara

Laurie Lee

 

 

 

"As I walked out one Midsummers Morning"..Laurie Lee's walk across Spain in the 1930's

"A Moment of War"...................Laurie Lee's experiences in the Civil War

James Michener

 

 

"Iberia" ......................... Iberia is a detailed exploration of Spain at it existed in the mid 1960s. The author takes great pains to be neutral on such subjects as the Moorish occupation, Islam, Catholicism, Francisco Franco and other controversial subjects, but he is characteristically detailed about his explorations. This is a work of non-fiction, so there is very little of the story-teller Michener in the book, but the exploration of the Iberian Peninsula and its people, industry and arts is well worth the read. For those living in the Valencia region, there is a very interesting chapter on Teruel.

George Orwell

 

 

 

"Homage to Catalonia" .............Orwell's experiences in the Civil War

Paul Preston

 

 

 

"Doves of War" ............... This is a true account of four women's participation in the Civil War

Charlene Quince

 

 

 

"Jávea/Xàbia A Year in the Life of a Spanish Town "  Great book on Javea

Chris Stewart

 

 

"Driving over Lemons" .............A new life in Andalucia

"A Parrot in the Pepper Tree" ..A sequel to the above

"The Almond Blossom Appreciation Society" ...... Third book in the series

CJ Sansom

 

 

 

"Winter in Madrid" ................ A compelling tale and a vivid and haunting depiction of Spain in 1940, not long after the end of the Civil War. The reality of Madrid of 1940 is recreated by the author in authentic detail... the sorry state of the city is evoked in all its blood, dust and melancholy, and the story itself will keep you gripped up to the end.

Giles Tremlett

 

 

 

" Ghosts of Spain" ...........  Fascinating insight into the people whose country I live in. Tremlett goes on a journey around Spain - and through its recent past. His journey is also an attempt to make sense of his personal experience of Spaniards.

Jason Webster

 

 

 

"Duende" ..."The most authentic and compelling account of Flamenco in English, and one of the best books ever written about Spain"....Literary Review......When Jason Webster heads off for Spain in search of "duende" the intense emotional state - part ecstasy, part desperation - so intrinsic to flamenco, he has no idea of what to expect. Part of this book is set in Alicante.

 

 

Jason Webster has also written "Andalus"...unlocking the secrets of Moorish Spain...Jason travels around Spain in the company of a young illegal immigrant from Morocco.. a study of the neglected Arab ancestry of modern Spain - apparent in its food, language, people and culture.Yet again, a fascinating insight into the country in which we chose to live.

 

 

" Guerra" ........... One of the best books I have read about the Civil War. Easy to read and not hard going like some of the others. Professor Paul Preston ( author of "Doves of War" ) says "Perhaps only a foreigner, and a foreigner who lives in Spain, could give a truly accurate picture of how the memory of the Civil War still dominates so many people's lives in the country. In all its glare and gloom, this is what Jason Webster's vivid and perceptive journey through the tortured memory of modern Spain provides"

This book gave me a much better understanding of the war and its aftermath than anything else I have read.

 

Jason's website    have a look at this to find out about his new book "Sacred Sierra" published in February 2009. Also read his fascinating articles on various aspects of Spain. Sacred Sierra is another fabulous read from this author, chronicling a year on a Spanish Mountain in the Castellon province, not far from us. Jason and his wife bought a deserted farmhouse and from a twelfth century Moorish book on gardening, they set about creating their dream.

Carlos Ruiz Zafon

 

"Shadow of the Wind"................Novel set In Barcelona in the 1940's

Ten year Daniel Sempere is brought by his father to a mystery book depository underneath the streets of Barcelona. Here all books are protected from being forgotten or destroyed. His father asks him to choose one book, and swear to protect it for the rest of his life. He picks up a copy of an unknown book by an unknown writer. He loves the book, and his curiosity leads him to investigate the mysterious life of the author. As he does so, he is drawn into a story of murder, betrayal, passion and revenge

"The Angel's Game."............ If you enjoyed "Shadow of the Wind" in my opinion this is even better

In an abandoned mansion at the heart of Barcelona, a young man - David Martin - makes his living by writing sensationalist novels under a pseudonym. The survivor of a troubled childhood, he has taken refuge in the world of books, and spends his nights spinning baroque tales about the city's underworld. But perhaps his dark imaginings are not as strange as they seem, for in a locked room deep within the house letters hinting at the mysterious death of the previous owner. Like a slow poison, the history of the place seeps into his bones as he struggles with an impossible love. Then David receives the offer of a lifetime: he is to write a book with the power to change hearts and minds. In return, he will receive a fortune, perhaps more. But as David begins the work, he realises that there is a connection between this haunting book and the shadows that surround his home...TOP OF PAGE

 

Food & Wine

 Spanish Wine

Article contributed by Paul Sterne

Serrano Ham

Article contributed by Paul Sterne

Tapas 

Site on the recipes and history of Tapas

Edible Mushrooms

Recognise the different species of edible mushroom. Spanish site

Spanish Cheese

Extensive information on Spanish Cheese

Olive Oil

Interesting site on the manufacturing of Olive Oil

Sausages

Short description of the different Spanish sausages

Paella

Article from comunitatvalenciana website

                              

Spanish Ham: A Gourmet Treat,   by Paul Sterne

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Spanish Cured Ham 

Produced using methods similar to those employed in Italy for making "Parma ham", or in France to produce "jambon cru"; the Spanish variety offers a unique taste experience, with its own special flavour, texture and aroma.

These hams are a key component in Spanish cuisine, and recent changes in import legislation have begun to make them available in Europe and other parts of the world. Served in thin slices, it makes an exquisite snack; and small amounts add a delightful flavour to a wide variety of dishes such as soups, vegetables, or pasta. Such is the variety and complexity in flavour, aroma and texture, that experts regularly organise tastings in much the same way as with wine. 

 Production Methods, Types and Classes of Ham

Serrano means "from the mountains", as the cool dry mountain air offers the perfect conditions for the curing process. The process in fact involves three distinct phases:

1. The fresh hams are first trimmed and cleaned, then stacked like cordwood and covered with salt. This serves to draw off excess moisture and to preserve the meat from spoiling. This typically lasts 2 weeks.

2. The salt is washed off and the hams hung to dry and start the first curing phase. This phase serves to initiate the curing process, here (among other things) the fat begins to breakdown. This takes about 6 months.

3. Air drying - it is during this phase that the hams are hung in a cool, dry place, where the distinct, subtle flavours and aromas develop. This lasts from 6 to 18 months, depending on the climate, as well as the size and type of ham being cured. The drying sheds ("secaderos") are usually built at higher elevations, thus the name "serrano".

There are also three main factors that determine the quality - and of course the price - of the serrano hams:  Cut, Type of Hog  and Feeding Conditions 

There are two distinct cuts: the hind leg or "jamón" (ham), and the foreleg or "paleta" (shoulder). 

There are also two different classes of hog grown for ham production: the native Iberian hog which makes for the highest quality, but only represents about 5% of the total production, and the more cost-effective "white hog" - normally of the Large White, Landrace, or Duroc strains and crosses.

Feeding conditions are an important factor in both production and quality. The best hams are produced from the long legged Iberian hogs, range fed and fattened on acorns in the cork-oak groves along the southern half of the border between Spain and Portugal. While range fed, Iberian hogs produce without a doubt the "creme de la creme" of Spanish hams, this method is costly, slow and not particularly productive. Thus, the large majority of hams in the marketplace are derived from "white hogs". 

Spanish Ham "Denominations" 

As it does for wine and other agricultural products, The Instituto Nacional de Denominaciones de Origin (INDO), maintains the "Denominación de Origin" (DO) program for cured ham. The DO is in fact a quality control program, designed to insure both the origin of the product, as well as its production methods, raw materials, etc.

The INDO recognises four distinct DO certified ham-producing areas: 

Dehesa de Extremadura 

Province of Extremadura, just south of Guijuelo also bordering on Portugal. DO certified Dehesa de Extremadura hams (dehesa means "range"), are either from purebred Iberian hogs, or Duroc crosses, which are at least 75% Iberian bloodstock. There are a variety of quality levels, which depend upon bloodstock, cut, and feeding/fattening conditions.

  Guijuelo 

Province of Salamanca in west central Spain, close to the Portuguese border. All hams which carry the DO Guijuelo label are made either from pure bred Iberian hogs, or Duroc crosses which are at least 75% Iberian bloodstock. There are two quality classes:

1.Jamón Ibérico de bellota - Range fattened on acorns ("bellotas" in Spanish), and marked with a red band. 

2.Jamón Ibérico - Range fattened, diet supplemented with commercial feed, and marked with a yellow band.

Jamón de Huelva

Province of Huelva in Southwest Spain also bordering on Portugal. DO certified Jamón de Huelva hams, are either from purebred Iberian hogs, or Duroc-Jersey crosses, which are at least 75% Iberian bloodstock. There are a variety of quality levels which depend upon bloodstock, cut, and feeding/fattening conditions: bellota, recebo or pienso.

  Teruel 

The entire province of Teruel (northeast Spain) is included in the DO Teruel production category. The air curing must, however, take place at more than 800 meters above sea level. The hams here are all "white hogs" - Landrace, Duroc or Large White (and crosses). There are no cork-oak ranges in the Teruel area, so these are fed and fattened with commercial feeds. The cool dry climate however makes things just right for producing high quality "serrano" hams.

Enjoying "Serrano"

1.Temperature: This is definitely a "room temperature" product. To get the best of flavour and aroma, store and serve at room temperature. It's best stored in a cool dry place. Refrigerate only if absolutely necessary, and be sure to let it acclimate several hours before serving.

2.Serving: As a starter or snack, serve in very thin, freshly cut bite-sized slices. Exposure to the air dries, and more importantly dissipates those special aromas, so do slice just before you serve - and it's OK to eat with your fingers!

3.Cooking with Ham: The taste of serrano ham makes a great flavour addition to all sorts of dishes. Finely diced and very lightly fried, it adds a special touch (like bacon bits) to soups and salads. A great Spanish cooking technique - "rehogado con jamón" - will work any where: Lightly fry diced ham in olive oil, then sauté your favourite cooked vegetable in the mixture. It works great with artichokes, green beans, brussel sprouts, etc. Diced to medium size, it also makes a great addition to your favourite spaghetti sauce recipe, or an omelette. Lightly fried slices do wonders for ham and eggs.  Top of Page

                         

 

SPANISH WINE, 

by Paul Sterne

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

     Literally every kind of wine under the sun is available here, Catalan wines, Manchego wines, Riojan wines, Galician wines, Basque wines, Murcian wines, Castilla-Leon wines and many, many more. Each has its own colour, aroma and taste, exemplifying the very individuality of these regions themselves. And they're good too. After all, their makers have been at it for long enough.

Today, there is so much it is almost mind-boggling and tackling it all is a formidable task. The first step might be to get a little understanding of what Spanish wine is all about, how it is classified, the grape varieties, and some practical tips.

RED

Though ordering by the region is still far and away the most common method in Spain, grape variety awareness has increased over the years. Both foreign and domestic varieties abound, and even some little known local varieties have resurged. Here's a sample of what you can get.

 Tempranillo: Many consider it the country's finest and most noble contribution to the wine world. It plays a major role in some of Spain's most prominent regions such as Rioja, Navarra, Ribera del Duero (where it known as Tinto fino or Tinta del país) and La Mancha (called Cencibel) and can now be found practically anywhere else. It is a very well-balanced grape. Not only does it age very well but also it is also capable of coming up with fine fruity young wines.

 Garnacha (grenache): The mostly widely-planted red grape in Spain, Garnacha for years earned a name as a kind of work-horse for the wine industry. However it tended to go bad quickly though, and that made the much revered aged wine a far reach. In the last few years, it has made an enormous turn-around. In certain regions, like Priorat, it has proved capable of producing wine for blending of quality light-years beyond anyone's wildest dreams, and we are seeing a resurgence of this fine variety. Garnacha produces fruity and intense, often hearty, reds, and in Navarra, it is the backbone of most of the region's exceptional rosés.

 Mazuela or Cariñena (carignan) Has for long been in the same boat as Garnacha. Carignan actually gets its name from the Spanish wine region Cariñena, where, ironically, it is about as common as coconuts. Cariñena is a high in acid and ages well, making it a wonderfully key figure in blending.

 Mencía: Grape variety closely related to the Cabernet Franc. It is very popular in León and Galicia and yields a dark red, fruity perfumed wine. Though some wineries are toying with aging, its best virtues tend to appear in young wine.

 Monastrell (Mouvédre): Popular in south eastern Spain, (Jumilla, Yecla, etc.), this variety stands out for making somewhat dry reds as well as appreciable sweet dessert wines. Few biological specimens could do as well in the punishing heat of Murcia as this one. You would think it was a cactus. Great on its own and compatible with other grapes like Cabernet Sauvignon and Merlot.

 Others include Bobal, Graciano, Prieto Picudo, Negramoll, Listán, Manto Negro 

Those are the local ones (there's a whole slew of other minor ones), but you will also find the foreigners making their presence known. Here are the biggest for reds: Cabernet Sauvignon, Merlot, Syrah (becoming very popular)

WHITE:

  Albariño: Lately the jewel of Galician white wine. Fruity and very smooth. This grape has been the force behind Galicia's incredible revival and its wine has become Spain's undisputed superstar in the white wine world. It's very fruity and crisp. Fermentation in the cask is on the rise with some stunning results.

  Verdejo: One of Spain's most well-established whites. Grown primarily in the small region of Rueda, these whites are famous for being dry and full of character. 

Viura (Macabeo): Pale and light and low in acid, this white is popular in many parts of northern Spain with irregular results. It also contributes to Catalonia's cava. 

  Airén: The big one in La Mancha. Probably the most widely planted vine on earth, and exclusive to Spain. Traditionally a good example of the more the worse, but that characteristic is changing. It may never be an outstanding variety, but some feel that it is sorely under rated and that it can produce some pleasant wine.

 Godello: Another Galician goody. Well in the shadow of Albariño, it has made a strong case for its reputation of late. Highly aromatic, it can be somewhat softer than Albariño. 

 Treixadura: Used mainly for Ribeiro, traditionally Galicia's most famous wine. 

 Moscatel (Muscatel): Common on the east coast of Spain and used for traditional sweet dessert wines. Malvasía Though found on the mainland and used for sweet and semi-sweet wines, much of its fame originated in the Canary Islands during the 16th and 17th Century. It has made a notable comeback of late.

  Palomino: When you think of sherry, this is the one you want to thank. Light and fresh, it is also found in other northern regions of the country. 

 Pedro Ximénez: This one is common in Malaga and Montilla-Moriles. The screw-top bottle looks suspicious, but the sweet wines often earn raving reviews. 

And, of course, we cannot forget a few friends from abroad:  Chardonnay, Sauvignon Blanc (Common in Rueda), Riesling 

What exactly does Crianza mean?

The Spanish have always been crazy about aged wine. In the past, anything briefer than a turtle's lifespan seemed just plain inadequate if the wine was to rise to immortality. Thank God that mentality has taken the route of the VHS videotape. Today, there are great wines both young and old. Nonetheless, aging is still a common technique and a source of countless classic labels from all over the country.

You may have (or may not have) come across the word "crianza" before in your life. It is sometimes a source of confusion because it actually has two meanings. In a larger sense it refers to the general aging of wine in a barrel and bottle. This practice can be broken down into three categories:

 Crianza: Overall aging: 2 years. 6 months in a barrel and 18 months in a bottle before going to market. Here's the other meaning. Whenever you see it on your bottle, more often than not it refers to this specific period of maturing.

 Reserva: Overall aging: 3 years. 12 months in a barrel and 24 months in a bottle. 

Gran Reserva: Overall aging: 5 years. 24 months in a barrel and 36 months in a bottle. That's a good way to raise expectations. 

Many regions follow these guidelines but the specifics can vary from one to the next. Plus, there are many fancy new-style wines which adhere to their own aging processes and which have nothing to do with the traditional methods. Another ever-increasingly popular method is the one termed "Roble" or "En barrica". These are wines with a hint of wood barrel aging.

If you don't see any of these terms printed on the label, or if your wine doesn't cost three hundred euros, more often than not it is a young wine and should be drunk as soon as possible from the vintage printed.

 A look at One Wine Region

The former information should prepare you to take on the Spanish wine experience. You will be familiar with world renowned giants like Rioja. This remains Spain's premier region in terms of recognition, exposure and, in many ways, overall quality, especially in the red wine department.  When you're not a 100% sure and don't want to take any chances, you can almost always count on a Rioja to pull you through. But you also have rising-star reds from Ribera del Duero, Toro, Priorat, Jumilla and La Mancha, as well as fantastic Albariños from Galicia and refreshing rosés from Navarra. The list just goes on and on, so let's just look at at one.

D.O. Rueda

Here's a white wine region nestled in the very heart of red wine land, Castilla y León. It's called D.O. Rueda and it has comfortably wedged its way into the Madrid market as the white wine to drink. Nowadays, if you order a white in the capital without specifying, this is probably what you'll get. About thirty years ago, Rueda wines looked, smelled and tasted nothing like the ones we enjoy today. The classic Rueda was a sherry-like wine, slowly oxidized in a big dark glass container. It took the foresight of a legendary Rioja winery, Marqués de Riscal, to turn things around in the 1970s. Now the region produces some of Spain's finest whites, and at great prices too.

 The local variety is called Verdejo, but Sauvignon Blanc has adapted very well here as well. Verdejo has an apple-like aroma to it, as opposed to Sauvignon, where tropical fruit dominates. Verdejos are crisp, dry wines. Sauvignons are a little more fruity. If you feel your nose is up to it, give it a whiff and see if you can detect these characteristics.

Ruedas can be split up into three categories. Since the information stated on the bottle isn't always very explicit, follow these rules;

Rueda. If it just says Rueda, that generally means it has 50% Verdejo and 50% from another variety such as Viura.

Verdejo. Means all or most of the wine is Verdejo.

Sauvignon Blanc. Most or all is Sauvignon Blanc. 

You may also find red wines, but they have just arrived on the scene and need time to improve. 

With the passing of each year, the offer expands and Ruedas are now fairly frequently sighted at wine shops abroad. Whether you are in your country or in Spain, especially in the center of the country, here is a selection of a few Ruedas you might like to try:

Cuatro Rayas Verdejo, Veliterra Rueda, Mantel Blanco Verdejo, Martilli Sauvignon (also the Verdejo is very nice), Aura Verdejo, Palacio de Bornos (both Verdejo and Sauvignon), Castelo de Medina, Doña Beatriz, Carrasviñas Sauvignon, Oro de Castilla Sauvignon (also Verdejo Jóven), Marqués de Irán Verdejo, Veracruz Verdejo, Marqués de Riscal (Sauvignon, Verdejo and Limousin), Naia Jóven, Blanco Nieva 

These wines are still a steal compared to other hip regions, many going for less than 5 Euros, so they are an excellent way to start out on Spanish whites without paying a hefty price. They go well with fish, seafood, soups and fresh cheese.

In Short

D.O. Rueda (Province of Valladolid, Comunidad Autónoma Castilla y León) 

Famous for Dry whites made from Verdejo and fruity ones using Sauvignon Blanc.

How to Visit the Region 

Head 100 miles straight up the highway from Madrid to Galicia (A-6) and you can't miss it. Rueda has its own exit and many of the wineries are located there. 

Sangria

Sangria is a dangerously delicious wine punch which has done for Spain what Irish coffee has done for the Emerald Isle. Basically the only ones who drink it are the tourists. The word "sangria" actually comes from English for crying out loud! Can you find it? Of course you can. Is it that common? Of course it isn't. Unless you roam around the coast of Spain where, what do you know, all the tourists are!

Sherry

80% of all sherry produced is commercialised outside Spain. That should give you an idea of who really drinks the stuff. Inside the country, it's mostly drunk in the land where it is produced, Andalusia in the South. Yes, you can find a bottle in nearly every bar in the country, but you won't find many people ordering it.

Though you can find practically every kind of wine, predictably the most important are reds, whites, rosés, sherries and sparkling wine (called cava). Spain is primarily a red-wine drinking country and thus its widest array lies there, but the others are readily available everywhere too.

Denominaciones de Origen (D.O.)

Most Spanish wine that we, as consumers, are concerned with is classified under a regulating system known as Denominaciones de Origen (D.O.), which translates as "Appellation" or "Official Wine-producing Region".

In short, an official wine region with its own governing body and rules. It tells us that the wine we are buying is truly from the specified region and that it adheres to the characteristics, which give it its fame. It may not guarantee the quality, but at least you know where it comes from and that some kind of control is behind it.

Why should knowing the D.O. be important to you? Think of it this way: the average Spaniard goes more by the region than by the grape variety. Aside from very specialized wine bars, rarely do you enter a bar to order a Chardonnay or Syrah. Normally, you'll say a Rioja, a Ribera del Duero, a Toro, or simply "un vino tinto"!

In fact, a lot of Spaniards don't even know what grape goes into their wine -- and often don't care. So, it definitely helps to bear this mind whether you are at restaurant table or perusing through the shelves of your local wine store. Here's a breakdown so you can impress your listeners at your next Spanish party:

 Denominación de Origen (D.O.)  The standard appellation that ensures you that the wine is from the place it says it is and that it meets many of the standards that make it typical of a wine from that region. They are controlled by a regulating board whose mission is to see to it that the wine Juan is making goes by the rules and that the grapes Jorge is growing are succulent and perfect for winemaking. The board also delineates the varieties admitted into the D.O., the range of crop yield, and aging techniques, to name just a few.  When buying a wine from anyone one of these official regions, look for the words "Denominación de Origen" or "D.O." (or at least the name and the official seal) either on the label, the back label, or on a smaller sticker below the back label to make sure it is what it says it is. If it isn't there, it may not be the real McCoy!!

 Denominación de Origen Calificada (D.O.Ca.) A D.O.Ca. is an even higher category than the D.O. and for the moment only two wine regions, Rioja and Priorat, have earned this distinction.

 Vino de la Tierra (or regional wine) is often a small region aspiring to greater expectations, that is a D.O. classification. The good thing about wines under this appellation is that they tend to be cheaper than water and can be delicious. Plus, some wineries use them to allow themselves more winemaking freedom, like V.T. Castilla, for example. The downside is finding them abroad may take some looking. But if you come across one, don't turn your nose up at it.

  Vino de Mesa (or Table Wine) This one speaks for itself. It belongs to no specific region and may come from anywhere in the country. Actually, most wine in Spain is Vino de Mesa, but a large percentage is sold anonymously in bulk to foreign nations for blending. Ironically, some very prestigious wines in the past have been obligated to sell their wine as "Vino de Mesa" simply because the winemakers did not wish to ascribe to any D.O. and thus had to carry this generally non-flattering term. As a whole, it's pretty basic stuff so keep that in mind before passing judgment.

 Independent wineries You can also find a number of wineries who have opted to stay clear of the D.O.'s probably for the main reason of not having to adhere to any restrictive legislation. Born Free and all that stuff! Some of these vineyards produce Spain's finest and most select wines (Two have even formed their own D.O.!!); others, though, drift on the other end of the spectrum.

Trying to give you a taste for what's available in Spain is no easy task simply because of the immensity of the offer, but to help you get a handle on things, let's list what kind of wine can be found in Spain and what regions stand out for their quality. This will at least help you orient yourself next time you are staring blank-faced at an imposing wall of Spanish wine at the local store:

Red Wine Regions: Rioja, Ribera del Duero, Toro, Priorat, Navarra, Cariñena, La Mancha, Valdepeñas, Jumilla, Bierzo, Almansa, Montsant, Yecla, Campo de Borja, Castilla, Valdepeñas, Manchuela

White Wine Regions: Rías Baixas (Albariño), Rueda, Penedès, Ribeiro Valdeorras, Txacolí regions (Basque Country), Alella, Lanzarote 

Rosés: Navarra, Cigales, Utiel-Requena

Well-rounded Regions (Reds, whites and rosés): Somontano, Penedès, Costers del Segres, Catalunya, Madrid

Fortified Wines: Jerez (sherry), Montilla-Moriles, Malaga

Sparkling Wine: Cava

Sweet Wines (Type of Sweet Wine): Valencia (Muscatel), Malaga (Pedro Ximenez), Montilla-Moriles (Pedro Ximenez), Lanzarote (Malvasía)     Top of Page

Spanish Sausages

Embutidos - Spain's Famous Sausages

From time immemorial the people of Spain have used salt, spices and fresh air to preserve sausages for later use.  Over the centuries these skills have been honed to an art, creating a myriad of unique chorizos, salchichones, morcillas and more. CHORIZOS  are cured using smoked Spanish paprika, giving them a deep red colour and rich smoky flavour.  LOMO EMBUCHADO is an entire pork loin coated with paprika and spices and dry-cured.  This very high quality 'embutido' has a tender, lean texture and a complex smoky flavour with much less fat than other sausages.  SALCHICHONES are cured with chunks of black pepper instead of paprika, so they have a whiter appearance and milder flavor.  MORCILLAS are blood sausages cured with onion or rice, great for stews or grilling.

 

   

SPANISH HISTORY

Around 2000BC Iberians were dark people with long skulls who lived in easily defended hilltop settlements. The typical Iberian was stoical, quarelsome, devoted to bulls and horses, suspicious of strangers, superstitious in religion, and respectful of his elders, and disliked organisation.

In about 1200BC the Celts came to Iberia long before going north to Ireland and Britain. Both Galician and Irish legends support the idea that Ireland's first people came from Iberia. In Galicia, tradition holds that King Breogan and his sons sailed North and encountered an island. One son severed his own right hand and threw it ashore dramatically so that he should be remembered as the first person to touch the unknown land!

The founding of Gadir by the Phoenicians in 1100BC makes today's city of Cadiz the oldest in Europe.

Around 600BC the Greeks arrived in Iberia and are credited with developing the olive and vine cultures on the Iberian peninsula. They had huge influence on Iberian sculpture as can be seen in the famous Dama de Elche, a superb statue of carved sandstone accidentally unearthed in 1897 near the palm grove at Elche.

The Greeks were driven out by the Carthaginians and as they moved inland they were met by the Celt-Iberians who had a reputation as fierce warriors who were well dressed wearing gold collars, amulets, horned helmets and sandals into battle. Amongst the Carthaginians was Hannibal Barca (elephant fame) and Hannibal's son in law is credited with founding Barcelona.

Rome ruled the Iberian Peninsula which they called Hispania from about 215BC to AD409. They were said to be baffled by the native people: warlike by nature, they were a tough wiry race with unkempt hair and a "harsh" way of speaking. Their system of justice was likewise severe - criminals were thrown off cliffs and they were wildly superstitious, reading the entrails of slain enemies to predict the future. They were loyal and heroic, loved liberty but lacked discipline. They carried the leaves of poisonous plants into battle rather than be captured alive. Possibly the reason it took the Romans 200 years to subdue the peninsula( France 10 years!). Our nearest Roman remains are at Segunto.. The Romans made vast fortunes from the silver around Cartagena, olive oil and wine.

Around AD40 Christianity was introduced to Hispania by St James the Elder (Santiago), believed to be the half-brother of Christ. Reaching Zaragoza, he built a temple to the holy virgin, who had appeared to him above a marble pillar. (The Virgen de Pilar  became the source for naming countless Spanish girls "Pilar"). James's remains , when he died, were taken to Santiago de Compostela. Christianity didn't spread very quickly - although there were some notable martyrs. St Vincent taunted his tormentors as they stretched him on the rack. St Engracia had her breasts ripped off and her liver cut out and fed to the birds. St Eulalia was only 13 when she went to the Roman capital, Emerita (Merida), burst into the governor's chamber and shouted "The gods are worthless and the emperor himself is nothing." For her efforts she had her body torn apart with hot pincers, but according to legend she continued to sing triumphantly, and her spirit, in the form of a white dove, flew out of her mouth and up to heaven.

Christianity competed with other religions: Mithraism - Mithras was a divine figure representing the sun and was always pictured as a young man stabbing a bull and initiation rites involved the sacrificial killing of a bull. The spot on which Merida's bullring stands today was once a temple to Mithras. Here legionnaires were anointed with the steaming blood of slaughtered bulls, which they believed would make them invincible in battle. Draw your own conclusions about the origin of bullfighting. Another Eastern cult eagerly adopted by the Hispano-Romans revolved around Bacchus the god of wine, and the rites often became drunken orgies. There was also the cult of Cybele. A complex pageantry swirled around her, such as processions of the faithful accompanied by drums, flutes and cymbals. There were scenes of self-flagellation, and on the "day of blood" novice priests performed their own castration.. The finale was a literal bloodbath, when devotees sat in holes and were showered with the blood of a slaughtered bull lying on the grate above. Today in Spain we see dazzling Easter processions of virgin queens and hooded penitents whipping themselves, and many saint's day celebrations end with a corrida, when six bulls are slaughtered in an elaborate ritual.

Famous Hispano - Romans were Trajan, born in Italica( near Seville) - became Emperor of Rome in AD99  and under him Rome reached its zenith with an area about the same as the USA, a population of 100 million and they owned the whole Mediterranean shoreline. Hadrian ( Hadrian's Wall) was also born in Italica and was Trajan's successor.

With the decline of Rome, around AD476 the Visigoths made their way into Spain. They were probably most famed for the names of their kings, amongst whom were Witteric, Wamba, Wittiza and Chindasuinth, all who wore purple slippers and ermine robes and let their hair and their beards grow long. They adopted the Arian form of Christianity(denying the Trinity) as opposed to the Hispanics who practiced the "Roman Religion". When one of the Goth kings failed to convert his new bride, he ordered cow dung be poured over her on the way to church. The Hispano Romans treated the goths with total disdain. To them, the Goths with their long locks and gaudy jewellery, seemed illiterate, primitive and warlike, country bumpkins with odd customs and harsh laws. For example, tampering with public documents brought 200 lashes, a shaved head and the amputation of the right thumb; conviction of homosexuality meant castration, while rape was punished less severely - with public circumcision. Another of their customs was the "ordeal of hot water" by which those accused of theft were questioned wile being submerged in boiling water. Under King Leovigild, Toledo became the capital city of Spain, and his son Reccared converted to Catholicism and united the kingdom under one religion. By AD624 the Goths ruled the entire peninsula, apart from the Basque lands, and the peninsula was united under one ruler, something that didn't happen again in Spain for another thousand years.

The end for the Goths came when King Roderick was driven almost to madness by the feminine charms of Florinda. He would hide in the bushes while Florinda was bathing in the river Tajo. One day his desires overcame him and he took the beautiful maiden right on the river bank. Florida's father, Count Julian, was governor of Ceuta on the African side of the Straits of Gibraltar. He came to fetch his daughter, and the king, unaware that  Julian knew what had happened, asked him to send him a particular breed of African hawk. Julian promised to send hawks that the king never dreamed of and went back to Ceuta and approached the Moors with an invasion plan. In AD711, Tariq ibn Ziyad landed with 10000 men at the limestone mass they called jabal-tariq (Tariq's Rock), the origin of the name Gibraltar.  Top of Page

To be continued..........................................

DENIA HISTORY

Mount Montgó is the witness of the origins of Dénia, with the discovery of Iberian settlements in its slopes, such as l’Alt de Benimaquía, the Pic de l’Aguila and the Coll de Pous.During the Roman Empire the city of Dianium became a civitas stipendiaria(a city conquered against its will by the Romans and therefore obliged to pay certain perpetual taxes in punishment for rebellion); later on it became a municipium. Archaeological remains prove that the city passed a period of great wealth and splendour, with a magnificent port where both trade and the Empire’s fleet met.The Muslim Daniya lived periods of great splendour and it became a Taifa Kingdom in the 11th century. The Taifa Kingdom of Dénia was one of the most important in Spain and it ruled over the lands of the Marina Alta district all the way down to present day Alacant (Alicante), parts of Murcia and also the Balearic Islands. With the Christian conquest, Dénia remained a “stronghold” becoming the head of a county and later on of the marquisate of Dénia. The most famous was the 5th Marquis of Dénia, the Duke of Lerma who became a favourite of King Phillip III of Spain.In the 19th century, Dénia lived a thriving and splendorous age due to dry raisin trade. Dry raisins, as Dénia’s economical motor, are behind the great urban development of that age and they also created a cultural atmosphere and a consolidated bourgeois society. The toy industry of Dénia became an important asset at the beginning of the 20th century and the dry raisin production was eventually changed by citric fruits. Top of page

 

DENIA - 1926

 It was Denia that showed us primitive Spain. One hot glassy morning in June, we awoke to see land out of our portholes, and the ship at anchor in a wide roadstead surrounded by an amphitheatre of bare red Spanish mountains. And, on shore, a sleepy little Spanish town with a great castle on a hill above it, and huge winged feluccas sailing out through the break-water for us. It was Denia, founded in the sixth century before Christ by the Phonecian Greeks of Marseilles. Here they built an exact replica of the Temple of Diana at Ephesus, which gave the place its name. Ragged teeth of ruined battlements on shore told of seven centuries of Moorish occupation. The castle on the hill dated from Roman times, and be-came a great fortification in the seventeenth century when it withstood siege after siege during the wars of the Spanish Succession. Here was all the history of the civilized world written in that one little town. What has Denia not seen? And history of the present was being written in those feluccas coming out to us, for they are the identical ones that Sorolla painted and made known to the world through his blazing canvases. They came alongside, loaded to the guards with crates of white Spanish onions. There was much shouting between the bridge and the genial and stubby-bearded pirates on board. The huge yards were lowered on deck by triple block tackles that ran up the forward-slanting masts. Mooring lines were heaved. Ragged and muscular rascals, with nothing on them but a pair of trousers and a kerchief about the fore-head, secured them and then swung up in both hands the porous white drinking jugs that pour a stream at large through a spout. Expert were they at it; not a nose hit, always a bearded mouth to catch the stream! And so to work. A felucca about ten feet long came drifting out. The occupant was without doubt a more ragged pirate than any yet seen, but he bore letters for the captain and him I approached with the question, "A terre? Quanta costa?" We agreed on one peso per person and were sailed ashore. Old Spain, at last; a sleepy boulevard of dusty tamarind trees, leading to a small town with the usual picturesque market in full blast. "Oh, this is nothing; you should see Granada and Seville !" said the World Traveller of our party, and headed back for the ship. Perhaps; for those who have not eyes to see, but we preferred Spain to Granada and Seville. And it was here, in all its unchanged primitiveness. My artist better half, who has the merit of al-ways knowing exactly what she wants, made a dive into the first crockery shop. Here was everything that is the daily life of Spain, rows and rows of glass wine jugs, from big fellows for country vintages to little ones for cordials, white pottery ollas, porous water jugs of graceful shapes and all sizes, immense floppy straw hats, basketry, copper cooking utensils, all that goes to make a Spanish kitchen on the farm. We bought plunder without end, until I began to hold tight to my pesos. But the bill added up to only one peso, ninety centavos,--about thirty-seven cents ! We visited the cathedral, and were chased out of there by an indignant priest, who pointed out a large sign warning the world that ladies with short skirts and bare arms would be summarily ejected. Now -we knew why the senoritas, pull on those long black lace sleeves above their gloves, and why they slip into a priceless drapery of more black lace over their modern skirts before venturing to go near the padre ! But there was compensation, for outside the cathedral was something much more interesting, one single marble stone of the Temple of Diana, now built into the steps of the church. That slender stone bridge to the past recalled to us a Denia that once had fifty thousand inhabitants, and that did its full share in spreading Greek culture and art and philosophy around the shores of Our Sea. It was only one of a chain of such towns—bordering the shores of Spain, the Riviera, Italy north and south of Latium (where the warlike farmers lived) Sicily, and Egypt. The Phoenicians could have the rest of North Africa if they liked. They never stirred out of their ships except to build a town like Carthage. and never made any lasting impression on the hinterland. Greece could afford to wait. We come out of this dream to wander at will in the shade of the Spanish houses of Denia. Romance greets us over a Spanish fan, hazel eyes, half hid under a drooping mantilla. And many tall and beautiful girls with gray eyes walking like queens, barelegged, barefooted, no veil, but a stunning kerchief. Whence came they? Direct descendants of the Visigoths of Alaric, if I may venture an opinion! Malaga has only one thing that Denia has not, and that is a smart cafe, divided in two, and one side bearing the stern inscription, "Caballeros unaccompanied by senoritas may not enter here." For all that, a married man can; and, in the ladies' side, we saw those same senoritas flirting with vigor with the handsome officers seated outside the glass panes at the cafe tables. There is no such place in Denia—too small—nor a single drinking glass outside of the hotel. The spouting wine jug rules here. This hotel, however, is a very good one, kept by a Frenchman from Cette. We had there a typical Spanish table d'hote : chicken with peppers and tomatoes, okra soup, onions disguised in some fashion, pomegranates, a smooth and wholly delightful Spanish wine. And here an extraordinary thing happened; an Englishman at a near-by table actually had the hardihood to come over and introduce him-self. Knowing well the British horror of ever by any chance making advances to barbarians, I nearly collapsed. It seemed that he had mistaken me for a man he was expecting from Valencia about fruit. But, the insular ice once having been broken, he went on to invite. us to see the town with him. We met the Collins family, manager of all the vast English jam and apricot industry of which Denia is the port. A place of big concrete floors, where raisins and apricots are sorted and packed, of jam machinery where the fresh fruit is boiled down and tinned, of donkey trains without number coming in from the inierior, their basket panniers laden with fresh apricots. We Rent to tea at the Collins villa. called up the governor of the castle, and where duly escorted up there to see it. The vast fortifications cover acres, now canonises; but from Roman times it has been a place of martial affairs. It was taken, at last, by the combined Spanish and British fleets. It had been held for over a year's siege by a French garrison (1813). When there were only three of them left, the doughty three got tired of loading and firing one gun after another and surrendered with the honors of war—all on their side, I should say ! Fancy those three men marching out to stack arms before the marines of two entire fleets ! Top of Page

 

 

THE HISTORY OF THE FALLAS

           

 

In the middle of the 18th century, the fallas were just one part of the events held to celebrate St Joseph's Day (19 March). During the morning of 18 March, rag dolls called peleles were strung across city streets from window to window, or small platforms were set up against walls displaying one or two figures (ninots) that referred to an event or to certain individuals that were particularly deserving of public derision. Throughout the day, children and young people collected objects to be burnt on bonfires called fallas. All were burnt the evening before St. Joseph's Day in the midst of much celebration.

The next day, devout Valencians and carpenters attended their local churches in honour of their patron saint. Families also celebrated the saint's day for anyone called José (also known as Pepe) with cakes, fritters and anisette. It was a time of widespread, neighbourly festivities.

The first documentation we have concerning the fallas is an official letter sent to the mayor of the city of Valencia prohibiting the placing of monuments (especially of a theatrical nature) in narrow streets close to facades. This measure adopted by the city's police for the purpose of fire prevention led the inhabitants to set up their fallas only in wide streets or at crossroads and in squares and, unexpectedly, led in the long term to an important transformation. Although the fallas continued to have a horizontal, theatrical structure made up of two parts (a platform and a scene arranged on it), they started to be placed on wheels so that they could be moved to the centre of a street or square. As they were no longer placed against a wall, the design changed to make it possible to view them from all sides. This created much greater freedom of construction and invited the inclusion of messages all round them.

For a long time, the term falla was used indistinctly for the torches, bonfires, rag dolls and platforms, but gradually the term came to be restricted to the satirical pyres that exposed vices or prejudices to public scorn. These fallas gave rise to great expectation and the local inhabitants came en masse to view them. The structure was usually prismatic and erected on a square, wooden base decorated with painted frames and canvases or panels to conceal the combustible materials underneath. The figures included in the scenes were usually dressed with old clothes. As with the popular theatrical performances of the miracles of St. Vincent, these satirical fallas usually came with verses that were hung on nearby walls or on the pedestals and that related to the subject of the falla. By the middle of the 19th century, these verses started to be printed and bound, giving rise to the booklet called the llibret. This made it possible to develop the subject much further.

The special characteristic of the satirical fallas is that they represent a reprehensible social action or attitude. They have a specific subject and aim to criticise or ridicule. They are more than mere bonfires or pyres because they show scenes referring to people, events or collective behaviour that their makers - the falleros - consider should be criticised or corrected. The two most popular subjects for falleros in the 1850s were eroticism and social criticism.

In 1858, the falleros in the Plaza del Teatro were officially prohibited from erecting a moving falla with a direct allusion to social inequality with verses written by Josep María Bonilla, but they went ahead all the same the following year. The press gave the name of "erotic falla" or "anti-conjugal tendency" to the many fallas that alluded to racy or risqué subjects with verses using double-entendres that reflected a hedonistic, lewd mentality. Bernat i Baldiví wrote llibrets on such subjects but the best-known is that written by Blai Bellver for the falla in the Plaza de la Trinidad in Xativa in 1866. This was called "The Cross of Marriage" and was severely condemned by the Archbishop.

Throughout the 19th century, the Town Council and the authorities in general tended to disapprove of these fallas. Their policy of repression, which aimed to modernise and civilise the city's customs by eradicating popular celebrations such as the Carnival and the Fallas, was applied with rigour during the 1860s when heavy taxes were levied on permits for setting up fallas or playing music. This led to a reaction in defence of local traditions and, in 1887, the magazine La Traca awarded prizes to the best fallas. The initiative was continued by an association called Lo Rat Penat. This explicit support from civil society provoked competitiveness amongst the different neighbours' committees, stimulating fervour for the fallas and encouraging artistic creation. Criticism did not disappear from the subjects of the fallas (in some cases, it was politically radical) but a new trend arose favouring formal structural and aesthetic concerns.

Eventually, though rather reluctantly, the City Council of Valencia took over from Lo Rat Penat and awarded the first municipal awards for the fallas at the end of the festivities - one for 100 pesetas, and another for 50 pesetas. The social climate was not only in favour of this initiative but demanded it. A wide range of organisations was involved - cultural, recreational, civic, sporting, political and for workers - and all of these helped to promote the fallas during the first decade of the century. In return, the fallas increasingly devoted their attention to exalting local values, resulting in a growing association between the festivities and Valencia as their centre. From the start of the 20th century, the fallas no longer maintained the dual structure of platform and scene. A new concept took over in which the figures were no longer the most important part. The fallas now basically comprised three different elements - a low base with various platforms for the different scenes, a central body holding up the monument and a top.

The latter usually comprised a large, allegorical figure, condensing the topic of the whole falla and summarising the scenes below it. 

The falla did not only contain a scene set against a background but content was expressed in the whole of the sculpture and had to be deciphered by walking all round the falla looking at it from top to bottom. Fallas had become lavish, majestic and imposing - large enough to be seen from a distance. The competitiveness introduced by the awards meant that the artists strove to produce monumental, elaborate creations.

In 1927, the Valencia Atracción association for the promotion of tourism organised the first Falla Train to bring emigrants from Valencia living in other Spanish provinces back to their home town for the festivities. This was so successful that Valencia society became even more devoted to its fallas and the number of monuments constructed grew and grew. The festivities soon came to require better organisation. The General Association for the Valencia Fallas and the Central Fallas Committee were created to represent the commissions and to organise the celebrations.

An article published in 1935 by Y. Llopis Piquer and entitled "How the fallas are prepared" describes the production of a falla in detail.

"The most important elements are: cardboard, plaster and wax, without forgetting the wood of the frames and the metal mesh covered with sacking for the large figures."

Using these simple materials, the Valencia artists emulate the large, long-lasting creations of sculptors, showing their skill in the production of grandiose monuments. 

The most difficult and complex task is the construction of moulds for the heads. These are based on clay models which are then cast in plaster and subsequently in wax to give heads that are then completed by adding a moustache, a squint or a sneering expression to give a non-human touch and turn them into the characters featured in the falla.

The bodies are easier to build. The cardboard is pressed while wet onto plaster moulds and then shaped, an essential skill for any up-and-coming falla artist. And a further clay mould is made resulting in yet another human incarnation which will then be completed with physical distortions and material additions. This is the basic method used for turning out the multiple characters of the fallas.

The most difficult part is to paint the wax. There are few artists who are capable of injecting life into the figures by the use of colour but, by dint of experience and perseverance, miracles take place. What still remains to be done? The bodies are then placed on a wooden strut which serves to attach lightweight materials such as straw, cloth, sawdust and wax. The figures are finally erected on the actual day of the plantá when the fallas are placed in their final locations and the frames and mouldings are hammered on. Once in the streets, the figures blend with city life and, in the night-time darkness, observers can be forgiven for not being able to distinguish between what is real and what is fantastic.

Texts: Antonio Ariño

              

 The Fallas festivities are the expression of a unique kind of art using large wooden structures covered with painted papier-mâché. Recently, however, other materials are also coming into use.

 This festival is also a satirical and ironic vision of local, provincial, national and even international problems and themes.

 The Fallas criticise almost everything and everyone imaginable, although they do so with tongue in cheek. Over 370 full-scale fallas and 368 children's fallas are mounted throughout the city, and some of these reach extravagant heights, although they do not usually exceed 20 metres.

 Each falla elects their own Fallas Queen from among the Fallas maidens who form the court of honour of that particular Falla. Towards the end of the year, they present one of these lovely ladies - not necessarily their Fallas Queen - to the competition from which the judges will chose the thirteen Valencian women who will make up the court of honour of the main Fallas Queen of the entire city of Valencia. Children's fallas follow the same process.

 For many years, the Fallas Queen of Valencia was chosen by the Mayor, who was the honorary president of the Central Fallas Committee called the "Junta Central Fallera", responsible for coordinating all of the Fallas commissions. For this reason, the election of the Queen would often correspond to women belonging to the most representative families of the city. Thus the Fallas Queen roster contained many illustrious surnames such as Franco, Suarez, Fernández de Córdoba, and others.

 In 1961 this process changed when Lolita Alfonso Sánchez, an orphan from the House of Goodwill, became the Valencia Children's Fallas Queen. This marked a new starting point for the selection of Fallas Queens among Valencians.

 Today, the election of the Fallas Queens of Valencia is governed by democratic vote among the candidates being presented.

 The nominees public presentation, which follows their proclamation by the Mayor in the Chamber of the City Hall, is a solemn event in which all Fallas commissions and much of Valencia society take part. The ceremony was held for many years in the "Teatro Principal" (main theatre) of the town, but today the Palau de la Música (or the Music Auditorium) has taken over as the annual venue because of its larger capacity.

 Fallas is the culmination of the work and efforts of an entire year. The whole city mobilizes itself and contributes to the Fallas, which also enjoy the institutional support of the City Council. The authorities set up their own falla and help to give the festivity an exceptionally attractive air.

 It is no exaggeration to say that almost every street corner has its own falla and fallas commission. During the festivities, Valencian women wear their best traditional clothes and parade through the streets in colourful pageantry under their fallas standards to the sound of regional music.

 At midday, each falla stages its own sound fireworks display, harmonizing the booming sounds of rockets with the smell of gunpowder.

 At night there are spectacular fireworks displays that brighten up the nighttime sky.

 In the Fallas casales (places where fallas celebrators gather) there is no time for sleep. It is fiesta time for five whole days.

 The flower offering to the patron saint of Valencia, Our Lady of the Forsaken, is staged on two consecutive days. Thousands and thousands of flowers are placed over a wooden structure that serves as the framework upon which her image is formed. This is located in front of the Basilica and the entire Plaza is perfumed with the fragrance of endless bouquets of flowers.

 Almost 100,000 Valencians take part in the procession. And of course, every day at five in the afternoon there is an important bullfight within the framework of the March Bullfighting Fair.

 On the night of the 19th, Valencians burn down their creations, saving only what is known as the "Ninot Indultat", or the "reprieved figurine", which becomes a museum piece. The children's fallas are burnt at ten in the evening, with the exception of the first prize in the children's category, which is set alight at ten thirty, and the city council children's falla, which goes up in flames at eleven.

 At twelve o'clock midnight, preceded by a grand fireworks display, the large fallas are set to the torch.

 The entire city is filled with flaming fallas. At twelve thirty the first prize Falla is burnt and at one o´clock at night the Falla in the Plaza del Ayuntamiento is set alight, symbolically finishing for another whole year this semi-pagan, semi-patriotic, semi-religious fiesta that stirs the hearts of the Valencians.

 On the day after the 'night of fire', a few marks on the asphalt is all that remains of the falla that stood so proudly the night before. On this very same day, the next fallas campaign gets under way.

 The fallas fiesta was born in Valencia and quickly spread to other towns in the region, even outside the immediate area.

 As a traditional Valencia festival, it is in the capital city Valencia where the Fallas command the most colour, participation and their greatest impact.

 From the end of February, Valencia starts its fiestas with the so-called 'Crida', which is the call to action, followed by the Ninot Parade, the splendid Parade of the Kingdom, the "Song of the Kindling Wood" and the Ninot or figurine exhibition.

 As for the origins of the Fallas, they seem to be connected with the pagan celebration of the spring equinox. It is said that in olden days craftsmen toiling throughout the wintertime would extend their working hours by using a light perched on a stand which they called a 'parot', something like a large candelabrum with various arms or wooden appendages. When spring came, they would celebrate the lengthening of the days that made their 'parot's superfluous by taking them out of doors and burning them in the street on the eve of St Joseph's day. Logically, this custom was initiated by the carpenters of the city.

 Today we know that since 1497 carpenters have been celebrating this Patron Saint's day with a feast. There is a curious document still preserved from the 15th century which refers to "the day on which the joiners burn the pole." Later on, the stand was adorned with old garments, much like a scarecrow, and was burnt in a bonfire along with odds and ends and leftovers from the workshop. After this, the stand was given a human visage intended to mock a well-known personality in the neighbourhood. Thus the Ninot, or doll-like effigy, was born. It soon became a fundamental element in the Fallas feast, no longer used on its own, but accompanied by a whole pageantry of figures.

 

 Another important advance was made with the appearance of the "subject" or "theme" of the Falla, generally something satirical or critical, expressed in humorous verse, although perhaps bearing on historical fact or some aspect of local life. These rudimentary representations gave birth to the 'llibret' or explanatory book written in the Valencia vernacular. After propping the figurines on full-scale pedestals in the 18th century, the creation of the Fallas festival was almost complete.

 The name of the 'fallas' was not originally given to the figurines or to the entire monument itself, but rather to the fire which was supposed to consume the whole construction. The scholar Carreres i Zacarés discovered a quote on the fallas dedicated to San Vicente: in 1596 one Pedro Toralba was paid the sum of 74 pounds, one shilling and 6 pence for the possible use of his grills on which he burnt "the fallas which are made on the feast day of the Glorious Saint Vicente Ferrer."

 The fallas dedicated to St Joseph quickly obtained the overall applause of the modest working neighbourhood, but was snubbed by the upper class, and the more puritanical. Thus, the journalist José Ombuena in his book on "The Fallas of Valencia" took note of a complaint made by a devout Christian. This reproof appeared in the "Newspaper of Valencia" in 1792, and included the answer given by the same periodical to a certain vexed priest called Traggia: "Sufficient reason you have as the good Christian you are to be full of sorrow when you observe our streets and plazas full of pyres and figurines all ridiculously dressed, entertaining the great majority of the populace, who on days such as these fully forget their obligations and lose much of their otherwise productive workdays." Not many years later, in 1808, the Frenchman Alexandre de Laborde became acquainted with the Fallas of Valencia and described them in his book "Itineraire descriptif de la Espagne" in the following manner: "Every year on the 18th of March, the eve of St. Joseph's Day, cabinetmakers and carpenters come out onto the streets, each in front of his own workshop, to build truly theatrical representations of life-size figurines, covered with the clothes of the character they wish to represent. They are built with very light wooden structures, a mask forms their faces, their clothes, headdress and adornments are of paper - quite often done with great ability. These figurines are set up on a huge pyre which is usually well hidden, and surrounded up to its full height by a thicket of mock adornments all artistically positioned."   He also mentions that fine sights could be seen: "at nightfall these figurines were set alight, and in an instant the entire representation goes up in flames. These representations are called the Fallas de San José..." The importance of the feast was described as follows: "People press thick against one another, persons of a higher position mingle with the masses; people come from miles around and forget all they may have on their minds however important their affairs may be." It seems that fallas were adorned in those days with all kinds of erotic paraphernalia, with much symbolism using the shapes of fruits and vegetables, in addition to extending criticisms of all their neighbours and the town authorities.

 

 Perhaps this was the reason why the Fallas were outlawed in 1851 by the Mayor of Valencia, the Baron of Santa Barbara. In 1883 the City Council stamped a tax of 30 pesetas per falla on the festivity, and that year only four fallas were set up. In 1885 the tax rose to 60 pesetas and only one falla went up in flames. In 1886 the city had no spring festivity whatsoever, after which lively protests were heard. The following year the tax was reduced to 10 pesetas and twenty-one fallas were built.

 The first 'llibret' was written by Bernat i Baldoví in 1855.

 Criticism and burlesque provocation became the keynote of the fallas as they came closer and closer to becoming art forms in the 19th century. Artistic skills began to be exercised to the full. Painters and sculptors were brought in to help. Soon afterwards an entire school of fallas artists began to burgeon, presided over by Antonio Cortina, Andrés Cabrelles and Regino Más. The fallas grew in complexity to become enormous monuments, and an entire industry was born under the auspices of the Guild of Fallas Artists.

 The Fallas are a feast to which people from all walks of life can contribute. No one, even if they try, can come to Valencia during this time of year and stay on the sidelines. The catafalques are there in the street. The parades never end, whether the falleros happen to be marching to collect their prizes, offering flowers, coming to the deafening midday sound fireworks sessions, seeing fireworks at night, or listening to outdoor concerts in the streets. Food and drink are everywhere, with typical pastry stands on every corner. The noise is sometimes too much for people used to quieter quarters, but there is no doubt about it. Valencia welcomes everyone with open arms and encourages all to join in the feast.

Article found at www.valenciatrader.com  

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Whatever lights your falla         

Article and interview by Samantha Kett

From Think Spain/Today

March 16 - March 22 2007

ThinkSPAIN/today

 

 

 

 

 

 

 

 

 

 

 

 

 

Loud drums, even louder fireworks, parades, music and setting fire to things. From the outside, this is how many of us view the uniquely-Valencia Fallas fiesta which comes to a noisy culmination on March 19 every year. Yet, have you often wondered what it is all about and had nobody to ask? Have you ever been tempted to stop a fallera in the street, mid-procession, and bombard her with questions? ThinkSPAIN/today reporter Samantha Kett did precisely that. Noelia Llidó Llopis, 25, has been picked as fallera del foc this year for her individual falla, in Oliva's Parc de l'Estació, and was happy to shed a bit of light on the apparent madness for us uninformed expatriates.

How does one become a fallera and what does it involve?

To be a fallera del foc, which I am this year, you have to have a new costume and pay for the breakfast at the despertà ('awakening') for everyone. You have to provide food for everyone who goes, bring tables from home and buy cakes, desserts, bread, chocolate, juices - everything you could possibly imagine. As though it were a huge party, in fact. Each falla here in Oliva has a fallera del casal, fallera del foc and fallera major. As fallera major you have to have two costumes and you have to go to everything - you can't miss a thing because you're the representative of the festival. All the other falleras - called falleres de la cort d'honor - only parade for three days; the presentation, the offering of flowers and the cremà, when they set fire to the statues on Saint Joseph Day. As a fallera major you have to go to all seven presentations, the paella contests, the crida - or call - of the Fallas, and every day that they hold a mascletà [display of bangers and fireworks]. The fallera major, both for each of the children's fallas and the main ones, gets to keep one of the ninots from their falla. A ninot is one of the individual figures on the monument. As the fallera del foc, it's me who has to set light to the falla statue on the night of March 19.

Is this your first year as a fallera?

As fallera del foc, yes. But when I was a child I was a fallera de la cort d'honor every year.

If you are a fallera, is it just for the festivals or is it a full-time, year-round job?

You could be working all year round if you wanted. There are numerous meetings - to decide on the costumes for the abalgata dels ninots, or fancy-dress parade; meetings to decide on who is going to be in pairs for the processions; meetings to organise the presentations; rehearsals; making costumes and practising for the amateur theatre play that each falla association puts on, and then all year round there are cards' tournaments. You're in competition all the year round, playing cards. If you want work to do, there's plenty of it! And if not for the whole year, at least certainly for three or four months.

What normally happens during the Fallas fiesta?

First of all there is the presentation of the falleras - the fallera del foc, fallera del casal and fallera major are presented to veryone. After this there's a huge dinner for everyone. Next, there are the paella competitions, which are open to anybody. Then we have the crida, or pregonera, a wake-up call to the whole town from the balcony of the town hall. Following this is the Cabalgata dels Ninots, which is a fancy-dress procession designed to criticise current issues. This year, the girls' theme was climate change, and the boys sent up the gigantes y cabezudos,or 'giants and bigheads' festivals, so they paraded with huge papier mâché heads. We always criticise something, a different topical issue every year. Later  between March 15 and 19 is Fallas week. On March 17 is the offering of flowers to the Virgin, and it is also the day when the prizes are given to the different fallas. By night, groups of kids sing various traditional songs. On March 19, Día de San José, that's when we set light to all the fallas, which is my job as fallera del foc.In the meantime, though, we'll spend one whole afternoon visiting all the other fallas, another doing a parade in wigs and a further day in pyjamas. Prizes are given for the most original wigs. At night, there are live bands and mobile discos and you are basically partying non-stop for two days. Forty-eight hours with no sleep, or very little, not finishing until 04.00 or 06.00 hrs in the morning. It's exhausting, but it's great fun. Then on March 20&ldots;we sleep like logs!

You often see women on the TV after the ofrenda de flores crying and saying how emotional the whole thing is&ldots;

Yes, and I think it's because for one day in the year, it's a day for women. Christmas, Easter and all the other religious holidays are for male saints, or for Christ - but what do women have, other than Mothers' Day? Only International  Women's Day on March 8, but that's not even a public holiday. And women still work even harder than men in a lot of cases. After being at work all day, they have to look after the house and the kids. The ofrenda is where we give thanks to the Virgin for our health, work, and all the good things in our lives, and some women with small children bring them along, too - almost as though they were showing their child to the Virgin. It's a very emotive day, overall. This year, the offering of flowers falls on a  Saturday. From now until then, we're working round the clock,  setting up the casal, which is the big tent near the falla where it all takes place - eating, drinking, getting our costumes on, dancing to mobile discos - everything except sleeping, of which we only manage about two hours a night anyway. Hence the whole town is empty on March 20, because everyone is asleep.

Does it cost a lot to be a fallera?

Just a bit. First, there's the dress, which can be around  3,000 or 4,000 euros; aside from this you spend a fortune on your make-up and hair. Even if you do your own make-up you still need to go to the hairdresser's so they can put your hairpieces in. In fact, you need help getting into your dress - first goes the corset, then the skirt has several layers on top of a crinoline. If you're a fallera del foc you have the expense of buying the food, the bread and cakes and so on, for the whole of the casal. Unless you're lucky and you have a grandma who bakes nice cocas [similar to small pizzas and traditionally eaten in Oliva on Fridays] although in any case, it's rather a lot of money. I'd say it's as though it were a wedding - but it's better, because when you get married you only wear the dress once, whereas falleras wear theirs every year. It's as though it's everyone's wedding on the same day.

Is there a particular hierarchy of falleras? And how do you get to become, say, fallera major? 

The fallera del casal - that's my sister, this year - is the first step, followed by fallera del foc. So I'll never be able to be fallera del casal, but I could go on to become fallera major. You put your name down and are voted for by your Falla association, but there are loads of girls who want to do it, so competition is fierce.

Does this mean you can only be fallera del foc once?

Yes, it'll be the only time in my life that I get to light the falla.

Doesn't the thought of that scare you silly?

No! It's not as though you're given a cigarette lighter. You get a great big long  cane with a tiny flame on the end and you light a long string on the end of a firework - so you have plenty of time to step back before it really catches hold.

I always think it's so tragic when they set light to the fallas. All that hard work going up in smoke.

Once, people just used to burn old furniture, in homage to Saint Joseph, because he was a carpenter. Nowadays, the fallas represent topical issues and things we'd rather do without - bird 'flu, drought, overdevelopment and so on. Setting fire to them is a way of getting rid of the negative to give way to the positive. It used to be a pagan festival to mark the change of season from winter to spring - and in a way, it's a sort of cleansing process. Burning everything we don't want in our lives to make room for the new.

Is it a family tradition, being a fallera?

It's an old tradition, but not in our family. When I was little my maternal grandmother wanted to put my name and my sister's down to be falleras but it took a long time before we were able to afford the dresses. Then, without telling our parents, we put our names down to be falleras del foc and del casal! My father wasn't too pleased at first but I managed to convince him that if we were elected we would have to do it. Although it's not a tradition in our family, you could say my sister and I have started  that  tradition.

I see that the falla with the lowest placing is set fire to first, and the winner  goes up last. How do they award the prizes, and what for?

There are loads of prizes. The prize for the winner of the card tournament championship; the best theatre play; the best llibret de la falla, and the best use of valenciano in the llibret. Plus for the fallas themselves there are prizes for the most attractive, the best criticism of current affairs and then there are prizes for the ninot parade. Best procession, best group, best individual costume. Prizes are given to third place for both the children's and the 'adult' fallas and are judged  by people from outside the town - total strangers.

What is a llibret de la falla?

Each falla has its own. It's like an album with photographs of falleras, explanations and drawings of  the monument, poems, criticism, short articles about traditions relating to the festival and pictures of previous Falla fiestas and the parties. If yours wins the prize for your town, it can go on to compete in the championship against all the other winning llibrets in the province of Valencia.

A friend of mine tells me the Fallas are like going on holiday - exhausting, but enormous fun and you come back mentally refreshed.

Yes, absolutely - you need a holiday to get over them!  After the first day you find yourself wondering how you're going to make it through to the night of March 19, but somehow, you hang in there. We have a great time though, non-stop partying, eating and drinking. It's fantastic. It's a dream come true.

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MUSLIM  DENIA

Just along the coast from Benidorm on Spain's Costa Blanca, the port of Denia was a bustling Arab town from 711 to 1242. Today, its castle is the only visible reminder of the Muslim Arab presence, which dominated Spain for 500 years after the initial invasion by Arabs and Berbers from North Africa in 711. Yet under the buildings of the modern town are extensive remains of the earlier Islamic town, which consisted of a main fortified centre and an adjoining suburb.

Excavations were already under way by Spanish archaeological teams at two principal sites in the town, which were being cleared for new building developments. The Team was able to focus on three main digs. One involved the excavation of burials from a Muslim cemetery. A second centred around an area where large quantities of medieval Islamic pottery had been found. And a third sought evidence of a bridge or (as turned out to be the case) causeway linking the suburb to the main town across what would then have been a stretch of water.

The burials had all been carried out in traditional Islamic fashion, with the bodies aligned towards Mecca and laid out on their sides. Islamic practice requires that a grave should be no wider than 'a span [the distance between the outstretched thumb and small finger] and four fingers'; hence the Arabic saying that you take only a span and four fingers with you after death. By using an osteo-archaeologist, expert in determining information from skeletal remains, the Team was able to discover the likely age and gender of many of the burials. Among much else, it was revealed that they included a mixed population of people with both Caucasoid and Negroid features.

A wide range of pottery finds confirmed the advanced status of Muslim crafts and culture during this period, with pottery of a quality that would not be found in the rest of Europe for another 200 or more years. Perhaps the most exciting finds, meanwhile, were the remains of a kiln and large quantities of kiln furniture. The finds underlined the importance of Denia as one of only three sites in Europe where both locally made pottery and the kilns in which it was made have been discovered. Phil was also particularly excited by the discovery of a row of shops dating from around 1000 AD, which was immediately dubbed a 'millennium shopping centre'.

The name Denia is actually derived from its earlier Roman place name, which arose from the presence of a temple dedicated to Diana. It was likely to have been an important port and trading centre, then, long before the Muslim invasion. During the Muslim era it became very important, handling trade from throughout the Mediterranean and even the far east. Many of the foods which are now commonplace in Europe were first introduced via trading centres such as Denia. The spread of Muslim science, medicine, arts and other knowledge, then far in advance of the rest of Europe, would also have been aided by the wide range of contacts made in places such as this.

At its height, the Muslim presence covered most of the Iberian peninsula, with the exception of the northern coastal regions. With it came, most famously, the architectural splendours best represented by Alhambra and Granada. Christians and Jews, as 'people of the book', were tolerated by their Islamic overlords, although they were taxed more heavily than Muslims. The Christian reconquest, however, which reached Denia in 1242, showed less tolerance: any practice of the Muslim faith was eventually outlawed and brutally suppressed. The Muslim presence in Spain finally ended with the fall of Granada in 1492.

Channel 4 Time Team 2000    TOP OF PAGE

 

LEPROSY IN THE MARINA ALTA

"Leprosy has been on the increase in different parts of Spain for some years past, and the extension of the disease has at last aroused the attention of the Government. On February 16th the Director - General of Beneficence and Sanitation sent a circular letter to all governors of provinces calling on them to take such steps as may seem necessary under the circumstances."-British Medical Journal, March 5th, 1892.

In a communication to the Lancet, January 16th, 1892, "On the Origin and Spread of Leprosy in Parcent, Spain," founded upon investigations by Drs. Codina and Zuriaga, Dr. George Thin introduces the following table and comments :-

"Table Showing the Cases of Leprosy in the Towns referred to in this Report.

Towns

No of inhabitants

Date of invasion

Cases up to 1887

Males

Females

Total

Parcent

150

1850

65

21

7

28

Languart

400

1868

31

20

5

25

Pego

1200

!7..?

.

14

6

20

Orba

160

1873

25

12

6

18

Pedreguer

720

1809

79

9

3

12

Murla

120

1870

14

8

2

10

Sagra

100

1848

13

5

3

8

Benidoleig

80

1869

7

4

1

5

Gata

440

1860

6

3

1

4

Jalon

560

1867

8

2

1

3

Denia

650

17..?

.

3

1

4

Ondara

325

1862

7

2

1

3

Tournos

80

1860

10

2

1

3

Beniarbeig

130

1871

6

3

.

3

Sanet

90

1884

3

1

1

2

Alcalali

98

1870

6

2

0

2

Jaica

320

.

.

2

1

3

Benichembla

120

1872

3

1

0

1

I gathered the data stated in the present table during my visit to the towns in the district of Parcent.   Although I have endeavoured to obtain my information as accurately as possible, I am unable to guarantee its correctness.  the towns sometimes hide the truth as to the number of lepers existing; but if there are any, they will consist in showing too small, rather than too great, a number of lepers.

    "There is nothing in the soil, occupation, food, or race to account for any difference in the number of lepers which are to be found in these towns respectively. It also shows that the proportion of lepers to the population of the towns is not connected with the length of time that the disease has lasted, and therefore is not in relation to the opportunities given by heredity, even if it were assumed that heredity was a cause. Parcent, which is the most striking example, shows in twenty-seven years, in a population of 150 inhabitants, 65 cases of leprosy, of whom 28 were living at the end of that period; whilst Pego, with 1200 inhabitants, and where the disease has lasted since last century, had only 20 living lepers. Pedreguer, in which we know there was leprosy in 1809, with a population of 720, had in about forty years 79 lepers, of whom 12 were living at the date of the report whilst Murla, with only 120 inhabitants, had had 14 cases in seventeen years, of whom 10 were living at the date of the report.

    "Excluding heredity as an insufficient cause of these cases, and as otherwise being discredited, the difference of the rate of increase of leprosy in these similarly situated villages is best explained by the assumption that the opportunities for contagion have been greater in some cases than in others, even if we did not have the statements which I have collected from two independent sources- namely, from the Mayor of Parcent, referred to by Dr. Zuriaga, and from Dr. Codina's report to the Director-General at Madrid. Another sad fact comes out from a study of this table-namely, that in many of the towns the appearance of the disease is comparatively recent and that in this part of Spain leprosy is spreading. The necessity for a hospital in Parcent seems to have been realised at last, for we find that a commission visited the neighbourhood in June, I887, for the purpose of finding a site, and were uttered one by the municipal corporation free of cost."

No inquiry appears to have been made, either by Dr. Codina, Dr. Zuriaga, or Dr. Thin, as to vaccination being a possible cause, which, according to a communication to me from Senor U. Montez, the Spanish Consul in London, has been obligatory for many years. This gentleman writes (London, May 26, 1892):-" Apart from previous ordinances on the subject, the law making vaccination obligatory on the whole of Spain is dated the 28th of November, 1855." This mode of propagation, where the contaminating virus enters directly into the blood, is surely more credible than the one suggested by Dr. Thin, of contagion (simple contact), unless Dr Thin, like other pathologists, interprets the word to include inoculation and vaccination.*

* Baron, in his "Life of Jenner," vol i., p. 604, says that Mr. Allen, Secretary to Lord Holland, writing to Jenner from Madrid in 1803, observes:-"There is no country likely to receive more benefits from your labours than Spain; for, on the one hand, the mortality among children from small-pox has always been very great; and, on the other hand, the inoculation for the cow-pox has been received with the same enthusiasm here as in the rest of Europe." .. . . The result, however, was the reverse of satisfactory; the writer adding, that "the inoculation of the spurious sort has proved fatal to many children at Seville, who have fallen victims to the small-pox after they had been pronounced secure from that disease."

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PROCESSIONAL PINE CATERPILLAR

Click on pictures for larger versions

 

 

The Pine Caterpillar (thaumetopoea pityocampa) is one of the most unpleasant creatures found in Spain, particularly on the Costa Blanca where pine trees grow. They are a major threat to animals, particularly dogs, and can be a threat to humans, particularly children.

If you see the silvery hairy cocoons hanging on a pine tree, whatever you do, don't touch them. The very fine hairs that you see on these caterpillars are poisonous.. If the caterpillars drop onto your dog or other pets, don't brush them off with your hands because by doing so you could cause yourself irritation, rashes and probably a fair amount of pain( the hairs on the caterpillars are still likely to harm you when the caterpillar is dead!).The best way to get rid of these caterpillars is to burn them. Don't hit the cocoons with anything because it is the flying hairs that are the danger. If you find them in your garden, cover them with a bag, cut off the branch of the tree and burn it.

They are called "processional" because when they are hungry, they go to an uninfected tree in a long line one behind the other. The worst time for these caterpillars is from January to the end of April, so if you are with your children or dogs where there is a proliferation of pine trees, be on your guard.

They also do a huge amount of damage to the trees, so, if you can, destroy them, but be careful.

 

 

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The Fishermen Of Toix

translated from an article by Andres Ortola Thomas

 Anyone that happens to be sailing  along below the cliffs of mount Toix  will have their attention attracted by a series of steps and refuges that have been cut into the rock. I n fact these can be seen almost anywhere along the cliffs of the Costa Blanca coast.

These constructions, hung high on the dangerous steep cliffs that loom high out of the sea, were constructed by men whose needs made them forget the fear that they were feeling whenever they were going down to  to fish from the tiny wooden platforms(very similar to those used by window cleaners). Many of them couldn't even swim and they were conscious that any mistake they made meant  death for them.

There is no specific evidence as to when this type of fishing started off the cliffs of Toix. All the information that exists is oral and therefore stems mainly from the XXth century.

In Toix this fishing was called "canyis"  and fish were caught from a wooden platform hanging from the cliffs above the water. Some of them are still in existence, are accessible by boat and are still used sporadically.

The construction of these platforms was hugely difficult and extremely risky. After identifying a place naturally formed by the sea, it was necessary either to go down from the top of the cliff or up from the sea to the above mentioned place, fixing stakes or bolts in the orifices of the rock. Next  it was necessary to  put in place ladders and ropes and  then finally  build the refuge, the base from where they would fish. It was very important that the refuge was minimally comfortable because of the long hours spent fishing.

I was told by my cousin Pepe Zaragozí (Pepito the Spring) that sometime in the 1960's, he and his cousin Jaume Perles were interested in a godforsaken "peixquera" that existed in the Cova dels Coloms. They went to Poble Nou of Benitatxell to ask  permission to fish from  the owners (traditionally everybody respected the rights of property for fishing). The owners gave them permission to assemble the peixquera again. Pepe and his cousin Jaume had to carry all the materials from their houses in the Canuta up to the top of the mount Toix and then climb down  the cliff  to the sea carrying these materials. They carved steps in the rocks and built a small shelter to protect themselves from the cold in the night. The most difficult thing,  Pepe told me, was making the holes to secure the base of the platform. Hanging over the sea, he and his cousin Jaume, and using hand tools, they made at least twenty  holes in the hard rock. Each of the holes took more than an hour and a half of arduous work.

When Pepe and Jaume had the "peixquera" ready, they invited two men from Poble Nou (fishermen) to come and see it. They were greatly impressed with the work they had done restoring the peixquera. It seems that this was the best place to fish in Toix. Also it is one of the most dangerous, not as dangerous though as the fishing that was carried on at Paleres or Martí . All of them have  access  by ropes and steps. It is understood that the users of the "peixqueres" took the risks through necessity. They were hard years and the additional income that was provided by the selling of the fresh fish could not be turned away. And of course they loved the work despite the danger and risk to their lives.

On one occasion, a layman in the matters of fishing called Joan del Chacal, was taken down from the top of a stone arch Forat de l'Ase - He had some rather bad luck descending to the platform and ended up hanging from one of them in the sea.  He wasn't able to swim, so started shouting until he was heard by the carabineers on the nearby hill and  was rescued with a rowboat. Luckily the carabineers had good knowledge of  "peixqueras"  and hence were able to rescue him.

At present, these fishing areas of Toix are a relic of the past and it is necessary to recognize that as such . I hope that nobody has the idea of " restoring them ". Their principal attraction is to contemplate them as they have come to us.

Translated by John T 

© Copyright 2006 All Rights Reserved

 

 

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Windmills in the Marina Alta

(click on images for full size versions)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Jesus Pobre

 

 

 

 

Pedreguer

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

La Plana Javea

 

 

 

 

 

 

 

La Plana Javea

VALENCIAN WINDMILLS

This information, and the pictures have been adapted from the booklet produced by the Concejalia de Turismo, Javea. The booklet is available at the Tourist Information Centres in Javea.

There are very few documentary or other references to Valencian windmills. The oldest record seems to be a royal privilege dated 1258 by Alfonso X to the city of Alicante permitting the construction of windmills. Then in 1391 came another document mentioning a mill "called of wind" located in the Plana de Sant Jeroni, in the town of Xabia/Javea. The first graphic representation of a local windmill can be found in an altarpiece painting from Pobla Larga (Ribera Alto district), a work attributed to the circle of the painter Pere Nicolau (1440 -1450). At the top of the painting, forming part of the landscape, is a schematic representation of a Mediterranean type windmill located on the crest of a hill. It has a thatched conical cap, with four rotors fitted with sails, an access door and a small window on the upper floor. Under the cap is a long curved wooden beam, called a "bandera" (banner) in the Marina Alta district, and this was used to rotate the cap and the arms of the mill.

Much later, in the second half of the 17th century and in the 18th century, can be found representations of windmills in diverse engravings showing Mediterranean type mills with four sail arms in the city of Alicante.

Dating from the 17th and 18th centuries are various documents referring to other windmills in the towns of Albocasser and Peniscola (Baix Maestrat district), and also in Font de la Figuera (La Costera district), and remains of these are still preserved near the town.

More recently, in the mid 19th century, there are abundant references to windmills in a work by Pascual Madoz called "Diccionario Geografico Estadistico Historico de Espana y sus posesiones de ultramar" (Geographical Statistical HistoricaI Dictionary of Spain and Her Overseas Possessions), where many of the windmills in the southernmost districts of the Valencia Region are described, coinciding with the time of the greatest expansion and development of regional windmills.

From north to south in Valencian lands we can still find the remains of some windmills, ranging from the Bajo Segura district in the southernmost climes up to the highlands of the Maestrat district in Castellon province. These constructions certainly once dotted the landscape in many areas of the region.

Between the years 1990 and 1993, thanks to support from the Ethnological Service of the Regional Ministry of Culture of Valencia, an inventory of Valencian windmills was carried out. As a result of this work, plus a few later additions, a total of 47 windmills were catalogued, from an approximate total of 70 windmills that must have existed at some point. The majority of these were used for grinding grain, although in the Bajo Segura district (named after its river), a few mills were employed for water extraction. These structures show a strong geographical distribution in the Marina Alta district. This area still has 28 windmills out of an approximate total of 37 that must have existed here up until the beginning of the 20th century, with 12 in Javea/Xabia, 5 in Denia, 3 in Benissa, 3 in Gata, 2 in Pedreguer, 1 in Teulada, 1 in Calpe and 1 in Lliber.

In the southern districts of Bajo Segura, Baix Vinalopo and l'AlacantIi there was another concentration of some 22 windmills in the 19th century, of which only the remains of seven are still standing: 3 in the Bajo Segura, 1 in Orihuela, 1 in San Miguel de Salinas, 1 in Rojales and 1 more in Santa Pola, in the Baix Vinalopo district.

Further north there was another group located around the Sierra Calderona, which in certain cases, such as the windmills of the town of Sagunto, are only known from vague documentary references. Six are still preserved in the Alto Palancia district: 2 in Gatova, 2 in Las Alcublas and 2 (?) in Caudiel; plus 1 in Quart de les Valls, in the Camp de Morvedre district, and another 1 in Pucol, in the I'Horta Nord district.

Even further north, there are 4 more windmills spread around the districts of Alt Maestrat (2 in Culla), the Plana Alta (1 in Cabanes and another in Torreblanca), and the Plano Baixa (1 in Eslida). Documents. also show there were windmills in Peniscola and Albocasser (Baix Maestrat district).

Isolated from all others, in the westernmost corner of the La Costera district, there are remains of a windmill in the town of Font de la Figuera.

MARINA ALTA

Apart from an abundance of information on windmills in Xabia, there are also further documentary references about windmills in the Marina Alta district. The first known records date from the 17th century, although it is possible that some windmills in the district were built some years before this. One of the most interesting references found is in a book in Valencian whose translated name is Ordinances Concerning The Custody And Safekeeping of The Maritime Coast of the Kingdom of Valencia, written and published by one Vesposiono Manrique Gonzaga, Count of Paredes and Lieutenant and General Captain in the City and Kingdom of Valencia, printed in the year 1673. This document has a chapter entitled Memory of The Changing of the Guard In All Fortresses, Towers, Castles and Detachments of the Coast, in which we can read in reference to the tower of Palmar, in the municipality of Denia : "... and to all, their posts and the names of their posts were given by the representative of authority, and often he would send them to the windmill, and would send two guards on rounds..."

This windmill, which is still preserved today, has given its name to a geographical site on the coast: La Punta del Molins, or Mill Point, on the northernmost part of the coast of Denia. And in another equally significant document, called the Act on the Building of the University of Benitagell, drawn up by the Notary of Valencia Lluis Ribes and dated 4 January 1698, we can read: "... that is, within the following boundaries, which are: with the limits of the town of Teulada as marked by the Castello windmill which serves as the dividing  line instead of a boundary stone & ldots;" The circular base of this windmill, still preserved today, has recently served to rectify the limits between Teulada and the village of Poblenou de Benitatxell. A little later, from the second half of the 18th century, there is a magnificent graphic reference to windmills shown on a ceramic tile panel from the former Convent of Jesus Pobre (Jesus the Poor). The panel shows a schematic representation of three windmills that are still preserved on the top of the Molins (meaning "windmills") hilltop, south of Jesus Pobre village.

And yet another reference was provided by a work by Joaquim Marti Gadea called Tipos, Modismes y Coses Rares y Curioses de la terra del Ge (Valencia,1908). This author provides us with perhaps the last direct testimony to windmills in the district that were still in operation: "...it is still surprising to see in the mountains of La Marina and other dry land areas those round turrets topped with crossed sails, which were once dedicated to grinding grain from which to make flour. As since practically none of these mills are in operation any more and will soon disappear completely, with the idea of bequeathing them to coming generations, let us dedicate this record to them...".The Marina Alta is the Valencian district with the largest number of windmills still in existence. Today, of the 37 windmills thought to exist at one time thanks to various sources dating from the 19th century up to the present day, a total of 28 still remain. This abundance of windmills has been interpreted as being due not only to the lack of significant watercourses for moving hydraulic mill mechanisms, also existing in the district since Medieval times, but also due to historical tradition and technology, as the presence of wind energy enabled these devices to be built and used since Medieval times up until the 19th century. A study of the mills preserved in this district and the documentary references known to date have enabled us to define two major periods of construction and establishment in the Marina Alta district. The first and most extensive period ranged from the lower Medieval period to modern times, from the 14th to the 18th centuries. Dating from this longer period are the eleven windmills from the Plana de Sant Jeroni in Javea, the windmill of Pla del Palmar or Punta dels Molins in Denia, the windmill of Els Castellons in the municipal area of Poblenou de Benitatxell and Teulada, and the three windmills of Jesus Pobre, as well as the now non existent windmills of Pla dels Molins, in Benissa.

The second period corresponds to the 19th century, the time of maximum expansion of windmill use in the district. Probably all the windmills built during this period were erected in the first half of the 19th century, as indicated by all the dates engraved on these mills. Corresponding to this period are: the windmill on the Gaians hilltop (Denia), the windmill of Safranera (Javea) dating from 1850, two windmills on the hilltop of Molinets (Pedreguer), one of which is from 1850, the three windmills of Gata, one windmill in Rompudetes and another two on the hilltop called Pedreguer (one dating from 1839), the windmill of Conna (Teulada), two windmills of Collado (one from 1850), the windmill of Montserrat, the windmill of Collao (Lliber) and finally the windmill of Morello (Calpe).

 

THE WINDMILLS OFJAVEA

                                                                        

Preserved within the municipal area of Javea (called Xabia in Valenciano) are twelve windmills, eleven of which are on the plateau called Plana de Sant Jeroni, located on the Montgo massif, near the cape of Sant Antoni at about 190 metres above sea level, and the other, called the Safronera windmill, is in the area known as Freginal, isolated from the series on La Plana, very close to a river and only 18 metres above sea level. The latter was the latest mill to be built in Xabia, and still preserves over its doorway a commemorative inscription engraved on the masonry: "ANO 1850 ARBANIL / MYGUEL SOLER / Dueno Guillermo Catala" (YEAR 1850 BUILDER / MYGUEL SOLER / Owner Guillermo Catala). The windmills of La Plana, fanning out from east to west, form the most important series of windmills in the Valencia Region, both in number and in view of their historic and monumental interest. Based on existing documentary references, we know that a windmill was erected at the end of the 14th century that belonged to the once existing Monastery of San Jeronimo (1374 1386):&ldots; "from the Cape of the chapel, popularly called Cape San Antonio, [the boundary line] runs straight across the hill to the Sorbasota cave towards the mill called the windmill that formerly belonged to the St Jeronymous Monastery and is now owned by one Berthomeu  Ameler, a neighbour of the aforesaid village of Xabea&ldots;"From the 16th and 18th centuries we have other written references of the names of some windmills in Xabia, and an interesting graphic document from the 17th century preserved in the Medinaceli archives (nobility from Xabia), corresponding to a "Representation of the map of the areas of Xabea, Gatta and Teulada". In this cartographic document there is a schematic representation of the municipal area of Xabia, showing the windmills of La Plana.

As of the 18th century, references become more frequent, both in written and graphic format. In 1777, the ruler of Parcent, referring to Xabia, mentions that "... it has within its municipal area a mountain towards the north, called Mogo, very high; on the cone of said mountain are 10 windmills &ldots;" The botanist Cavanilles, around 1795, mentions the windmills of La Plana in his "Observaciones". Dating from 1775 is an interesting document corresponding to the title deed of the establishment of a windmill on the "Costa de la Mesquida" (La Plana), in which two inhabitants of Xabia request permission from the Marquis for the construction of a windmill, and a tenant's contract is executed stipulating the terms and conditions: payment of 4 wages a year, obligation to build the windmill within the period of one year and the stipulations of the emphyteusis. It is clear from this document that both the terrain of La Plana and the construction of windmills was regulated by the rights of the nobility. According to works by Madoz (1847), we know that in the mid 19th century there were still  eight windmills grinding grain in La Plana, and the Safronera windmill started operation as of 1850. But by the early 20th century only one windmill in La Plana, belonging to a certain Tono Garco, was still in use, and was abandoned shortly thereafter.

At the end of the 19th century practically all the windmills in Xabia and the Marina Alta had ceased operation. This came about due to a reduction in wheat production, and particularly due to the use of other systems and sources of energy (hydraulic, steam and electric mills), soon causing their complete disappearance.

Their wood and iron mechanisms were the first to disappear, being reused for other purposes. The same ting happened to the physical structure of the mills, with stone blocks being taken out of doorways, stairs and even some ceiling arches. Some mills were totally destroyed, as was the case of the mills in Poblenou de Benitatxell, Teulada and Benissa.

After the loss of the machinery and roofs, the remains of most of these mills at present are simply the solid cylindrical towers and some of their more stable architectural elements. Despite this, the windmills of the Marina Alta present constructive elements that set them apart from other windmills, namely, they usually have a quarter circle arch built in rough hewn stone for the support of the upper floor.

The height of the windmills preserved in the district ranges from seven to eight metres, whereas the diameters alternate between 5.5m to 6.5m. Their sturdy walls have variable widths, some 1.5m and just above in some cases, with widths of course diminishing slightly towards the top. At the base of many of these constructions is a kind of run around wall or bench that probably acted as a counter buttress or foundation wall.

The inner structure presents a lower floor with a doorway and an upper floor supported over arches. The access to the upper floor was via a stairway with steps set into the sides of the wall. Between the two floors was often a small chamber built using wooden beams. The two millstones (the top one that revolved and the stationary bottom one) were located on the upper floor, whereas the other rooms were used for storage and living quarters. The mill was topped by a conical roof, with a wooden structure, that was covered on the outside by vegetable fibre (rushes, etc.) or wooden strips in more recent times.

From under the roof, facing slightly diagonally upwards, was a wooden beam called the "tree", on which the four grid work arms ("engraelledes") were supported, conveniently fixed with sails to be moved by the wind. This horizontal movement was converted by the machinery into a revolving vertical movement via the upper grindstone, which revolved around a lower stationary millstone, to grind wheat into flour, which was then collected and sent via a wooden flour channel to the lower floor for storage.

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Paella

The typical paella is cooked in a flat metal pan provided with two handles riveted to the sides. Paella-type rice can be prepared with chicken or rabbit or both, with shellfish, fish of various kinds, or with vegetables only. The combinations are practically limitless - ranging from meatless "Lent" paella containing only salted codfish and cauliflower, to paella made using small game fresh from the hunt. For all good Valencians priding themselves on their origins, rice - so combinable with different flavours and ingredients - is practically a symbol of their identity, an emblem that always provokes a certain amount of controversy when it finally reaches the table.

Because of its very nature, the paella is exaggeratedly Baroque. It is a festive, popular and, curiously enough, a masculine meal customarily made by men out-of-doors. The Valencian phrase anar de paella (to go paella-eating), customarily used throughout the region, provides a glimpse of the ritual nature of this pursuit, which may involve outings, hunting parties, picnics and the like. Making a paella is less simple than it looks, and there are self-named specialists in every single village, town and district. The actual style is greatly dependent on environmental factors, such as the availability of raw materials, the type of rice grain (bomba, granza, secreti), the composition of the local water, the proportion of oil actually used, not to mention the kind of wood used to kindle the paella fire - another art in itself.

Although there are as many kinds of paellas as there are districts in the region, genuine Valencian paella most always has a good helping of ferraduras (long, wide-pod green beans) and garrofó (giant dried butter beans). As for meats, chicken is the most common, followed by rabbit, and exceptionally wild duck. Adding extra flavour are white-shelled mountain snails known as xonetas or vaquetas with thin black stripes, providing what some call an exquisite taste, and often fetching very high prices. But there are also seafood and shellfish paellas, which in recent years have become increasingly popular, particularly the high-priced but mouth-watering lobster paella.

Whatever the ingredients may be, when an orthodox paella reaches the table, the grains of rice should be crisply dry, loose and golden, never mushy or sticky, leaving no trace of oil if served on the plate. When the paella has been cooked over an outdoor wood fire, the paella-eating ritual calls for diners to sit in a circle around the pan placed on its fire irons, and eat from the communal pan using a boxwood spoon and occasionally refreshing themselves with gulps of cool wine from a porrón (a glass wine jug with a pointed spout that drinker's tip up and pour into their open mouths).

Another highly popular recipe using the same flat pan is the fideuà, which is a 'rice' dish using fish and shellfish, made with noodles instead of rice, cooked in a fish stock. This dish is delicate and mellow, with colours ranging from golden yellow when it contains seafood and saffron, to jet black when garnished with squid or cuttlefish ink. Restaurants in the resort town of Gandia organise highly popular competitions to see who makes the best fideuà. The Marina district of Alicante abounds with seafood fideuàs using very thin vermicelli noodles, or sometimes thicker noodles and clams, or black noodles bathed in squid or cuttlefish ink.

Despite the cBulinary diversity of Valencia, one has to admit that rice monopolises most menus, becoming an inevitable reference point. Quite rightly the Valencian food critic Antonio Vergara states that "the Spanish Mediterranean is like a tiny China. The difference is that our methods of cooking rice are much more entertaining, more colourful, and more pleasing to the eye then those of China."

The repertoire of Valencian rice dishes is by no means a monotonous succession of paellas - that humble yet exquisite dish from the "huerta" or market gardens of Valencia that, by popular demand, was exported from typical farmhouses in the country to invade eating houses, seaside stands and open-air restaurants along the Malvarrosa beach in Valencia and the Portichol and Albufereta beaches in Alicante in the late 19th century.

The lineup of specialities currently on offer at restaurants in the city, at rice restaurants near the seashore and at picnic stands on the beach are difficult to classify in a simple list. First, a division should be made between "dry" rices (paella) and rice stews (caldoso) cooked in calderos, pucheros, peroles and cazuelas - varying types of metal or earthenware casseroles. There are also soft, spongy rices made in earthenware casseroles like arròs al forn (oven-baked rice) and arròs amb costra (oven-baked rice with an omelette crust), whose recipes are incredibly similar to that of the arròs en cassola al forn described in a 16th-century Valencian cookbook called the Llibre de Coch, by Robert de Nola (1520).

 

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Boat Trips, Fishing Trips, Javea, Denia

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Tuk Tuk Tours Javea can organise boat trips down this beautiful coastline as part of one of our tours, or if you prefer, you can contact Dave Blackmore by email directly for a full day trip.

Dave also organises fishing trips. He is based in Denia. Tel: 0034 629 351 266. Click here for website

 Boat trips and fishing trips Javea Costa Blanca  Javea Tuk Tuk Tours

Javea  Artist / Painter

 

 

 

Click on thumbnail to see more paintings of this Javea Artist - Email address if you are interested in buying any of her paintings, based in Javea.

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Spain's Alien Nation

Rodrigo De Zayas

Spain's alien nation 

By Rodrigo De Zayas

SIR Richard Fox Vassal, the second Lord Holland (1773-1840), was a rich, intelligent aristocrat; in 1802 his doctor advised him to spend some time in a dry climate for his health. He decided to visit Madrid, where he learned Spanish and collected manuscripts for the library of Holland House, the family mansion in London, and in 1804 he bought a bundle of manuscripts from Don Isidoro de Olmo. He failed to recognise the significance of what he took back to London and simply listed the contents of the bundle: papers, memoirs and correspondence from 1542-1610, relating to the history of the moriscos in Spain. Some items were copies, others originals. Among the originals, he noted, were several letters from Gonzalo Pérez (father of court minister Antonio Pérez) to King Philip II (1), with comments in the king's own hand.

All these documents were auctioned in London on 21 November 1989 and are now in my archives in Seville as the Holland collection. Detailed study of the collection reveals the terms of a debate within the highest circles of the Spanish state about a significant Hispano-Muslim minority that been forcibly converted to Catholicism.

The word morisco was used to designate such a convert. Their presence created a social and political problem associated with most minorities: an otherness that the majority found difficult to tolerate. This was primarily religious - they remained crypto-Muslims- but also linguistic and social, since they insisted upon retaining their Arab language, dress, festivals, culinary and hygienic practices; they refused to eat pork and washed frequently, habits that Christians of the period struggled to accept. Their otherness defined them as agents of a foreign power, active allies of the Ottoman empire and a threat to Christian Spain.

After 1481-83, when Spanish Catholic kings established the Inquisition as an integral institution of state, Spain pursued religious unity and uniformity. There was a "morisco question", with causes and consequences reminiscent of the "Jewish question" of the 1930s and 1940s and of the situation of ethnic minorities in Europe today.

The importance of the Holland collection lies in what it reveals about Spain's transition from a sectarian state, which still allowed any member of an oppressed religious minority to integrate with society as a whole through conversion, to a racist state in which that option was no longer open, since the persecution of that minority was no longer based on religious considerations.

The first step towards a racist state pre-dates the earliest documents in the collection. In 1535 the cathedral chapter in Cordova had asked Pope Paul III to approve the introduction of criteria of blood purity (limpieza de sangre) as a condition for securing any paid appointment within the chapter. When the pope refused, the chapter turned to the emperor Charles V (2). He was taken with the idea and leaned on the pope to allow the test to be applied to the entire kingdom. Paul III was forced to give way: henceforth, anyone applying for any paid position in Spain would have to prove that there had been no Jews or Muslims in their family for at least four generations. Apart from a brief interruption during the reign of Joseph Bonaparte (3), the law enforcing this was not fully repealed until 13 May 1865.

With marranos - Jewish converts - Spain actually seemed to have recognised a conflict between national tradition and an "unassimilable Jewish tradition". The problem was the same whether the suspect tradition was Jewish or Muslim. Was there state racism under Charles V? I think not, because although individuals were required to demonstrate their pure blood, purity was still defined in religious terms. Only through practising your religion did you define yourself as a Jew or Muslim and you could argue that religious identity is not transmitted genetically. Perhaps this was just confusion or an error of judgment, a subtle shift in the state sectarianism instituted by the kings of Spain.

It may have been subtle, but it was significant. The documents in the collection that date from the reign of Philip II introduce a new definition of the moriscos as a "nation". What did nation mean in 16th century Spain? Broadly, any clearly differentiated community can be so labelled. As a result, many good Spanish Catholics found themselves defined as members of the morisco nation.

The concept of blood purity had contributed to the evolution of a new group criterion, as absurd as the definition of a Jew as belonging to a "race". Spain's highest authorities and its most influential ecclesiastics thought it was time to deal with the morisco nation once and for all. There were three possible ways for the state to eradicate them: genocide, mass deportation or forced assimilation under surveillance. Opinion differed only on which was best. This was still not state racism: there was no law outlawing the presence on Spanish territory of any minority, even when defined as a nation.

Five documents in the collection explicitly recommend genocide, either through execution or through forced labour in the South American mines and the galleys, allowing the moriscos no chance to reproduce. This policy was impractical at the time. Spain's kings dismissed it and adopted alternative suggestions. Philip II favoured assimilation. His son, Philip III (1598-1621), sided with those who advocated deportation, whose decisions were partly determined by economic considerations. For Philip II, the income from tithes imposed on moriscos was an important incentive to allow them to remain. Everyone benefited: the state, the church and the great lords who, in their ministerial capacity, received the levy.

Philip II was a prudent realist. He was sensitive to the ambitions of the great lords, whose interests were opposed to those of the Inquisition. He played for time, delegating the problem to a series of commissions. The moriscos went on paying their tithes. When, between 1568-71, they rose up in the ancient kingdom of Grenada, they were defeated and afterwards exiled to other parts of Spain. They continued to pay tithes, sometimes lower in value since silk cultivation, their most profitable business, had disappeared from Grenada. But they remained the most successful growers of fruit and vegetables in areas that they had developed and irrigated over generations.

Philip III saw things differently. Lacking his father's intelligence and determination, he left the reins of government in the hands of a Valencian favourite, the Marquis of Denia, whom he made Duke of Lerma and a cardinal, and whose paternal uncle was Grand Inquisitor after 1608. The case for deportation, strongly supported by the duke's adherents, who controlled the state apparatus, had an economic justification. The money from the confiscation of morisco property would easily make good the loss of revenue (4).

On 22 September 1609 Philip III signed a decree that made Spain the first racist state in history. Henceforth any member of the morisco nation was banished from any Spanish territory on pain of death.The Duke of Lerma, rather than the king, was responsible for this decree.

The most important theorist of the racist state, Fray Jaime Bleda, was a Dominican member of the inquisitorial tribunal in Valencia. He wrote a book outlining his ideas to prove that the elimination of the moriscos was an urgent necessity. It was too dense for the king to read, so one of Bleda's Dominican colleagues, Fray Luis Beltran, produced a simplified summary.

The king recorded his decision upon this document, number 40 in the collection. The Duke of Lerma had his way; half a million men, women and children were deported. All their possessions were forfeited to the duke and his party; the duke gained a fortune greater than the reserves in the treasury, which he controlled anyway.

Spain had a population of eight million at this zenith of its military and political dominance in Europe. Knowing about the deportation we can assess one of the chief reasons for Spain's subsequent ruin: fields were abandoned across whole regions, while the workforce evaporated from the most profitable trades: moriscos had dominated haulage, the masons' guilds, breeding of horses and mules, irrigation and market- gardening. The deportation, on top of the 16th century's galloping inflation, administrative corruption, the Duke of Lerma's negligence and greed, and incessant wars, plunged Spain into the darkest era in its history.

 

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Storm - Gota Fria? - in the Costa Blanca - October 12th 2007

On October 12th 2007 the area was hit by huge storms with El Verger, Els Poblets, Beniarbeig and Calpe being the worst hit areas, click on links below for pictures and video clips

http://www.lasprovincias.es/galerias/local/riadas-asolan-comunitat_200710130554.html

http://servicios.renr.es/servicios/galeriasMultimedia/index.jsp?pIdPortal=12&pIdGaleria=488

http://www.youtube.com/results?search_type=&search_query=javea+storm&aq=1&oq=javea

 

 

Written by Christine Toomey in the Sunday Times Culture International magazine

1/03/09

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

CIVIL WAR SECTION

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During General Franco's reign, tens of thousands of Spanish children were taken from their families, handed over to fascist sympathisers and brainwashed. Now growing old, they are fighting to discover the truth about their past before it is lost for ever.

The only memory that Antonia Radas has of her father has haunted her as a recurring nightmare for nearly 70 years; it is the moment of his death. 

Antonia is a small child in her mother Carmen's arms. Both are looking out through the refectory window of a prison where Carmen's husband, Antonio, is being held. They see him lined up against a courtyard wall. Shots ring out. Antonia sees a red stain burst through her father's white shirt. His arms are in the air. Another bullet goes straight through his hand.

After that Antonia believes she and her mother must have fled the prison. But Carmen and her two-year-old daughter were soon arrested. They had been arrested before. That was why Antonio had given himself up, thinking this would guarantee their freedom. But they were the family of a rojo or red - a left-wing supporter of Spain's democratically elected Second Republic, crushed by General Francisco Franco's nationalist forces during the country's barbarous 1936-to-1939 civil war. As such they would be punished. These were the years just after the war had finished, and the generalissimo's violent reprisals against the vanquished republicans were in full flow.

Antonia is now 71 and living in Malaga. Her memories of much of the rest of her childhood are clear, and many of them happy. "I was raised like a princess. I was given pretty dresses and dolls, a good education, piano lessons," she says.

It is only when I ask what she remembers about her mother, Carmen, from her childhood that Antonia's memory once again becomes sketchy. "I remember that she was thin and she wore a white dress. Nothing else. I didn't want to remember anything about her," she says with a steely look. "I thought she had abandoned me."

This is what the couple who raised Antonia told her when she came home from school one day when she was seven years old, crying because another child had said that she couldn't be the couple's real daughter since she did not share their surnames. "They told me that my mother had given me away and that my real family were all dead. They said they loved me like a daughter and not to ask any more questions. So I didn't."

By then a culture of silence and secrecy had descended on the whole of the country, not just the south where Antonia grew up. These were the early years of Franco's dictatorship, when loose talk, false allegations, petty grievances and grudges between neighbours and within families often fuelled the blood-letting that continued long after the civil war had finished. In addition to the estimated 500,000 men, women and children who died during the civil war - a curtain-raiser for the global war between fascism and communism that followed - a further 60,000 to 100,000 republicans were estimated to have been killed or died in prison in the post-war period.

Even after Franco's death in 1975, after nearly 40 years of fascist dictatorship, few questions were asked about the events that had blighted Spain for nearly half a century. To expedite the country's transition to democracy, the truth was simply swept under the carpet.

Franco's followers received a promise that nobody would be pursued, or even reminded, of abuses committed. In 1977, an amnesty law was passed ensuring nobody from either side of the bloody conflict would be tried or otherwise held to account. A tacit agreement among Spaniards not to dwell on the past took the form of an unwritten pacto de olvido - or pact of forgetting, which most adhered to until very recently, when the mass graves of Franco's victims began to be unearthed.

While the majority of his nationalist supporters had long since been afforded decent burials, the bodies of tens of thousands of republicans - many subjected to summary executions - were known to be buried in unmarked pits.

In 2000, a number of relatives' associations sprang up to try and locate the remains of missing loved ones. When the socialist prime minister Jose Luis Rodriguez Zapatero was elected in 2004, the agreement not to rake over the past was ruptured; during his election campaign he made much political capital out of the country's left-right divide by repeatedly reminding voters that his grandfather had been a captain in the republican army and had been executed by Franco's military.

To mark the 70th anniversary of Franco's coup, Zapatero, in 2006, drafted a controversial "historical memory" law intended to make it easier to find and dig up the mass graves of republicans by opening up previously closed archives. In addition, the law - a watered-down version of which was passed after much heated political debate - ordered the removal of Francoist plaques and statues from public places. It also set up a committee to which former exiles, political prisoners and relatives of victims could apply to have prison sentences and death penalties meted out by the Franco regime declared "unjust" - not illegal, given the huge financial implications for the state in terms of compensation this could entail.

Since then, however, such issues surrounding atrocities committed by Franco's henchmen have become bogged down in a legal quagmire. 

Attempts last autumn by one of the country's leading judges, Baltasar Garzon, to have Spanish courts investigate, as human-rights crimes, the cases of more than 100,000 "forced disappearances" under the Franco regime came up against a judicial brick wall when the country's high court ruled it had no jurisdiction over such matters, given the 1977 amnesty law. While legal experts continue to argue over whether such crimes recognised by international law are subject to statutes of limitations, regional courts have been asked to gather information about those who disappeared - most of them killed - within their territory.

It is amid this current legal wrangling that one of the least-known chapters of Spain's sad history has emerged - and it is not about the dead but the living. It concerns those like Antonia, who have come to be known as "the lost children of Franco".

Both during the war and the early years of Franco's dictatorship, it is now estimated that between 30,000 and 40,000 children were taken from their mothers - many of whom were jailed as republican sympathisers - and either handed to orphanages or to couples supportive of the fascist regime, with the intention of wiping out any traces of their real identity. Often their names were changed, and they were indoctrinated with such right-wing ideology and religious dogma that, should they ever be found by their families, they would remain permanently alienated from them psychologically.

While similar policies of systematically stealing children from their families and indoctrinating them with lies and propaganda are known to have been carried out by military regimes in Latin American countries, such as Argentina, Guatemala and El Salvador, in these countries trials and truth commissions have long since sought to expose and punish those responsible. But in Spain, the process of uncovering what happened to these children - like that of unearthing mass graves - is only now stirring intense and painful debate.

This is partly because the events happened much longer ago, making them more difficult to unravel. But also because the country's tense political climate has turned what has become known as "the recovery of historical memory" into such a contentious issue that many argue it should be dropped from the public sphere altogether and remain a purely private or academic matter.

Where this would leave the "lost children of Franco" is unclear. Just how many are still alive and looking for their families is uncertain. But given their advancing years, at the beginning of January Garzon sent an additional petition to regional Spanish courts arguing that, as a matter of urgency, they should offer help to such "children" - now pensioners like Antonia - and families wanting to uncover the truth about the past before all traces of their origins are lost.

Garzon is requesting that DNA samples be taken from those searching for lost relatives - such genetic databases have long existed, for instance, in Argentina - and believes the cases of the "lost children" should also be treated as forced disappearances, ie, human-rights crimes without any statute of limitations. The DNA would be taken from those who are looking for missing relatives and matched with samples taken from those who believe their identity may have been changed when they were a child.

In many ways Antonia considers herself lucky. More than 50 years after she was separated from her mother in prison, the two were finally reunited, briefly - Carmen died 18 months later. Yet despite the apparent happy ending to her story, Antonia displays such deeply ambivalent feelings about her mother as we talk that it is clear that Franco's aim of psychologically alienating the children of "reds" from their families was achieved. Even now Antonia does not like to be reminded of the name her mother gave her when she was born - Pasionaria, in honour of the civil war communist leader Dolores Ibarruri, known as La Pasionaria. She tuts loudly when her youngest daughter, Esther, writes it in my notebook.

"I believe if she [Carmen] had really wanted to find me when I was still a child, she would have," Antonia says bitterly, ignoring the fact that when her mother was released from prison in the mid-1940s, like other former republican prisoners, she lived a life of penury, her freedom to work, move and ask questions severely limited.

Mother and daughter were reunited in the end through the efforts of one of Carmen's older daughters, Maria, who, together with another daughter, Dolores, and son Jose, both then in their teens, had been left to fend for themselves when Carmen was imprisoned with their baby sister. Determined that her mother should see her lost child before she die, in 1993 Maria appealed for information about her sister on a television programme dedicated to locating missing relatives, which Antonia saw, by chance.

It was only then that Antonia learnt that her mother had signed a document handing her daughter into the care of a fellow prison inmate about to be released - prison rules dictated that no child over the age of three be allowed to remain with their mothers - on condition that the girl be returned to her when Carmen herself was freed from jail. Instead, her infant daughter was given, or sold, to the couple who raised her - devout churchgoers who took her to live in Venezuela for some years when she was a teenager, which was when they finally changed her surname to match their own. Carmen had already changed her daughter's name to Antonia when she was a young child to try and protect her from the wrath of anti-communists.

All this Carmen was able to tell her daughter in the short time they had together before she died. The couple who raised Antonia were already dead by the time of the reunion, but she seems to bear them no grudges, realising they gave her a more comfortable childhood than her siblings had. The deep rancour this still causes between Antonia and her eldest sister, Dolores, is evident, as I see the shadowy figure of Dolores stand briefly outside the window of the downstairs room where I sit talking to Antonia in a rambling house in Sarria de Ter, Catalonia, where she is visiting her daughter, grandchildren and other members of her natural family. Dolores looks in at us, glowers, then walks off, shaking her head. She does not like her sister talking to strangers about the past, and jealously guards her own family secrets. She will not tell Antonia, for instance, where their father's body is buried - though Antonia knows she carries the details on a piece of paper in her purse - believing that only she, who suffered a life of poverty and misery during and after the civil war, has the right to place flowers on his grave.

Such complicated emotions between siblings and other relatives concerning the events of the civil war and its aftermath are mirrored in families throughout Spain. It is one reason why this period of history was so little discussed for so long. "It is astonishing how many families are from mixed political backgrounds, with maybe a husband on the left and a wife on the right, which meant such things were not discussed over Sunday lunch," says the historian Antony Beevor, author of the definitive history of the civil war - The Battle for Spain. Beevor believes that public debate about such events is long overdue. "The pact of forgetting was a good thing at the time, but it lasted too long. When you have deep national wounds and you bandage them up, it is fine in the short term, but you have to take those bandages off fairly soon and examine things, preferably in a historical context rather than in a completely politicised one."

Like many others, Beevor believes Garzon's attempts to bring such matters before the courts have turned them into a political football that is now being kicked about both by the right and the left for their own ends at a time when Spain can ill afford such bitter polarisation. The country is still grappling with the aftermath of the 2004 Madrid train bombings, carried out by Islamic fundamentalists, continuing terrorist attacks by Eta, growing demands for more regional autonomy, and the fallout of the global financial crisis.

"Why try to drag all this through the courts now. Who are they going to put on trial after all this time? Ninety-year-olds who are beyond penal age?" says Gustavo de Arestegui, spokesman for the country's conservative Popular party. "Those at the top of the hierarchy of the Franco regime are all dead. Let history be their judge."

But such arguments miss the point, says Montserrat Armengou, a documentary-maker with Barcelona's TV channel, who both wrote a book and made a film about Franco's "lost children" with her colleague Ricard Belis and the historian Ricard Vinyes. "There never has been and never will be a good time to uncover the truth about this country's past. But the longer we wait the more difficult it will become, because those who were directly affected and know what happened will have died."

Another part of Garzon's petition to the courts at the beginning of this year regarding Franco's "lost children" was a plea that regional magistrates urgently order statements be taken from surviving witnesses to how children were separated from their mothers in Franco's jails before their testimonies are lost. One such witness is Trinidad Gallego, who we meet in her small apartment in the centre of Barcelona. Aged 95, she talks lucidly, and in a booming voice, about the things she saw when imprisoned with her mother and grandmother in a series of women's jails in Madrid after the end of the civil war.

As a nurse and midwife, Trinidad was present at the birth of many babies in prison, though few records - either of children brought into the prison or born there - were ever kept.

"I saw some terrible things in those prisons," she says. "Mothers were kept separated from their children most of the time and all mothers knew their children would be taken away before they were three years old. The priority was to brainwash the children so they would grow up to denounce their parents."

From the early 1940s onwards, many children of prisoners were transferred into orphanages known as "social aid" homes, said to have been modelled on children's homes established in Nazi Germany. Their parents were not told what happened to them after that; a law was passed making it legal to change the names of the children, who, thereafter, had no legal rights. The historian Ricard Vinyes has described the orphanages as "concentration camps for kids". Those who spent time in such places have spoken about how they were made to eat their own vomit and parade around with urine-soaked sheets wrapped around their head.

Victoriano Cerezuelo was registered simply as "child number 910 - parents unknown" when he was placed as a baby in the maternity ward of an orphanage in Zamorra at 8am on April 15, 1944 - the day recorded as his birthday, although he was already weeks or maybe months old by then. When he was five, Victoriano was adopted by a farming couple, but was returned to the orphanage seven years later when the wife, sick of being beaten by her husband, threw herself down a well. "After that I placed an advert in a local paper trying to locate my real parents. As a result, I was beaten to within an inch of my life by a priest, while a nun at the home told me "the more you stir shit, the worse it smells", recalls Victoriano, 64, as he sits in his Madrid apartment fingering a small black-and-white photograph of himself as a boy. "I would just like to know who my parents were before I die."

Uxenu Ablana, who spent most of his childhood being transferred from one orphanage to another in Asturias, northern Spain, knows who his parents were. His mother was tortured to death by nationalist forces to extract information about his father, who had been jailed for lending a car to republican officials during the civil war. Uxenu can still recite by heart all the fascist

Falange anthems that were drummed into him in these homes, together with so much force-fed Catholic dogma that, initially, he quibbles about meeting me when I tell him my first name is Christine, so much does he still hate religious reminders. "I have no words to describe all the pain I went through. We were domesticated like dogs, beaten and humiliated, made to wear the Falange uniform and give fascist salutes," says Uxenu, 79, when we eventually meet in Santiago de Compostela, where he now lives.

"I am not a lost child of Franco - I am dead. They killed me, what I could have been, when I was put in those homes. They brainwashed me against my father and true Spanish society."

When he was able to leave the orphanage at the age of 18, Uxenu, whose name had not been changed, was tracked down his father, who by then had been released from jail. But the two were strangers and quickly lost contact. "I had to keep quiet for so long about what happened to me, and I still feel like a prisoner in a society that does not want to talk about the past," says Uxenu, whose wife is so opposed to him recalling his childhood experiences we have to meet in a restaurant.

The problems that Uxenu, Victoriano, Antonia, and who knows how many more, have faced and continue to face regarding their past as Franco's "lost children" is justification enough in the eyes of Armengou and others for Garzon to pursue his attempt to get what happened to them classified as a crime against humanity. Fernando Magan, a lawyer for a group of associations representing Franco's victims, vows he will take the case to the European Court of Human Rights and the United Nations if Spanish courts fail to properly address the issue. "Justice is not only about prosecuting those responsible for crimes, it is about helping victims uncover the truth about what was done to them or to their loved ones - in this case in the Franco era," argues Magan.

To those who say it is time Spain turned the page on this period of its past, Uxenu voices what many feel: "Before you can turn a page you have to understand what was written on it. Unfortunately here in Spain, we are still at war - a war of words and feelings."